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衔接连贯理论在英语写作中的作用

发布时间:2021-01-25 00:29:17

『壹』 英语专业论文 翻译中的衔接与连贯

牛!

『贰』 英语中连贯与衔接的区别

许俊

(湖北水利水电职业技术学院,武汉430070)

摘要:本文从英语语篇的角度,对衔接的概念、功能以及衔接与连贯的关系进行了讨论,同时也探讨了衔接与连贯理论在英语写作教学中的应用。

关键词:语篇;衔接;连贯;英语写作

中图分类号: H319 文献标识码: A 文章编号:

On Cohesion and Coherence in English Writing

Xu Jun

(Hubei Water Resources Technical College, Wuhan, 430070, China)

Abstract: This paper, from the angle of English texts, attempts to study the concept and function of cohesion and its relation to coherence. And it also discusses the application of the cohesive and coherent theory to English writing.

Key words: Text; Cohesion; Coherence; English Writing

一、语篇衔接与连贯

语篇是指任何不受句子语法约束的在一定语境下表示完整语义的自然语言。任何话语,不管长度如何,也不管是口头的还是书面的,只要构成一个整体,即为语篇。一句话或者一个言语行为也可以构成一个语篇,但大多数语篇是由一个以上的言语行为构成。它是协调词汇学、句法学、音系学和语义学的语言学分支,目的是为了通过语言这个媒介实现具体的交际任务或完成一定的行为。就标准的语篇而言,同一语篇内的各组成分之间的连接从字面上必须有合理的衔接手段,在语义上还要有合乎逻辑的关联性。合理的衔接方式和逻辑上的连贯是任何一种语言的语篇共有的和最显著的特征。

1. 语篇衔接

衔接是将篇章中的句子连接为一个整体,从而创造连贯的重要手段。它可以帮助确定语篇要素之间的阐释和确定互指关系,并以之决定语篇要素之间的交互预设关系,使语篇具有语篇性。Halliday & Hasan将衔接分为照应、省略、替代、连接和词汇衔接。其中照应、省略、替代、连接属于语法范畴,主要通过各种语法手段进行衔接。例如照应,是指用代词等来表示语义关系,可分为人称照应、指示照应、比较照应;省略,则可省略主语、谓语、补语及其它成分;替代,有名词性替代、动词性替代、及小句型替代;连接,主要利用因果关系、时间顺序、地点转移等实现衔接。词汇衔接属于语义衔接,主要通过词汇的重复、同义、近义、上下义和搭配等形式来实现。在这些衔接手段中有些是形式上的,有些则主要是语义上的。句子内部存在衔接关系,句子之间也存在衔接关系。无论是语法衔接手段,还是词汇衔接手段都是语篇常用来达到连贯的显性实现手段,它通过建立词句间的约束关系使语义关系显性化,有助于对语篇连贯的认识。通常这些衔接手段在语篇中交错出现,互相配合,共同达到语篇连贯的目的。

2.语篇连贯

连贯指的是连接意义和概念的手段,是语篇世界的组成成分相互影响和相互关联的方式,是人们的心智、知识结构与语篇成分互动的过程,是语篇给人的感觉。语篇的连贯性表现为句子衔接紧凑、流畅、自然, 语义发展清晰,合乎逻辑。关于连贯,国内外学者也进行了广泛的研究,并从不同的视角度提出了各自的观点。Grice(1975)认为,连贯是作者的猜度与读者的实际知识、推理能力的函数。

Reinhart(1980)认为,连贯由三个要素组成:连接(connectedness)、一致(consistency)和关联(relevance),连贯是形式、语义和语用上的相关性。David Crystal(1987)认为,连贯指的是语篇中所表达的各种概念和关系必须彼此相关,从而使我们能对语篇的深层意义进行合理的推理。David Nunan(1993)认为连贯是语篇被感到是一个整体而不是一串不相关语句的程度。McCarthy(1993)说连贯是对于语篇为一个有意义的整体、而非无意义堆砌的一种感觉。我国学者朱永生(1995)把连贯看作一个语义概念,是系统功能语言学的语义概念,包括Van Dijk的语义概念和

Widdowson的语用概念。

尽管语言学家对连贯的解释不尽相同,但是在把连贯界定为语篇在信息传达方面的流畅与贯通上是趋于一致的。

3.衔接与连贯

衔接与连贯是语篇分析领域中的两个极其相近的概念。两者构成语篇时关系是非常紧密的。衔接是语篇特征的重要内容,它体现在语篇的表层结构上。语法手段和词汇手段的使用,都可以表现在结构上的衔接。衔接是语篇的有形网络。而连贯是使一个语篇能起到交际功能的条件,需要通过逻辑推理来达到语义连接,连贯存在于语篇的底层,是语篇的无形网络。语篇连贯不仅取决于衔接手段,更重要的是取决于心智上的连贯性。Beaugrande&Dressler指出,连贯甚至比衔接更为重要,连贯不仅仅是语篇的一个特征,更是语篇使用者认识过程的结果,必须从“认知加工、激活相关知识”的角度来论述语篇连贯及其生成和理解的过程。

二、语篇衔接与连贯在大学英语写作教学中的应用

英汉两种语言在语篇结构上存在着客观的差异性。汉语语篇注重语义上的连贯,是一种松散的语言结构。而英语语篇注重形式上的衔接,力求从表面的联接达到语义的连贯。另外,汉语语篇强调作者结论,而英语语篇侧重于让读者通过事实自己判断。因此,在英语写作教学中,教师应该遵循英语语篇内在的生成规律和逻辑,有针对性地培养学生形合的思维意识,注重语篇的衔接和连贯训练,以抑制汉语的螺旋型思维模式对英语写作的负面影响。在衔接方面,要加强句际表层结构和语义的恰当衔接训练,要求做到句内、句际流畅。在宏观连贯方面,应强调内容的条理性、推理的逻辑性和例证的代表性,确保语篇的连贯性、准确性和地道性。

1.提出语篇的主题

在英语写作训练中,教师可以引导学生采用直线型思维模式来构建语篇,掌握说明文的文体结构,明确语篇主题的意思,即指作者通过全文内容所要表达的基本观点。主题一般在开篇的第一段落中提出,而其他段落中提到的分论点要与主题相照应,从而使该主题进一步阐述和扩展。以英语语篇“运用中国饮食方法来解决美国的健康危机[5]”为例:

Solving the American Health Crisis with Chinese Diet Methodology

I. Turning to Eastern Thought for a Dieting Solution and Trying to Understand Chinese Diet Methodology (Para. 1)

1. At the Heart of Chinese Diet Methodology Is the Concept of the Yin and Yang (Para. 2)

2. In the Chinese Diet, the Yin and Yang Are Also Very Important (Paras. 3—4)

3. You Want to Achieve True Balance and Harmony in Your Diet (Paras. 5—8)

II. Even Western Doctors Suggest the Key to a Healthy Lifestyle Is Eating a Balanced Diet (Para. 9)

从此例中可以清楚地看出该语篇的题目及提纲。该语篇中的第一段落是提出的主题,而其他各自然段的分论点都是围绕主题而展开的。最后一段落是结尾段的主题句,它与第一段落的主题相呼应。

2.主题句的写作方法

由于英语的段落组织和发展是呈直线型的,因此段落中的主题句一般是第一句,或者是最后句,还有可能是段落中间的某一句话。写段落主题句要求简单明了,一般使用陈述句,语句中的各个部分必须符合认知的客观规律和逻辑性,并有必然的语义内在联系。但语序并不是固定不变的,而要根据语篇主题的意思来灵活变换句型中的语法成分位置,既能与全文的主题相呼应,又能突出本段落的中心思想。例如:主题句是“At the Heart of Chinese Diet Methodology Is the Concept of the Yin and Yang (Para. 2)”,它与文章主题“Turning to Eastern Thought for a Dieting Solution and Trying to Understand Chinese Diet Methodology (Para. 1)”是互相照应的。如果主题句的句式使用正常语序“The Concept of the Yin and Yang Is At the Heart of Chinese Diet Methodology (Para. 2)”,那么语句意思平淡,不能有效地突出主要信息,而使用全倒装句就能达到这一目的,即英语的主题句要把主要信息放在句首,次要信息放在其后。

3.段落主题句的作用

写段落主题句使用的语句不仅简单,而且句中所用的实词都能创设静态和动态的语境,便于联想,在语篇中构建起一个贯穿的链条,即语义链,并由此形成篇章的连续性。例如:

主题句:You Want to Achieve True Balance and Harmony in Your Diet

语义链:illn

『叁』 如何理解雅思写作中的段落连贯性和衔接

连贯性是雅思写作很重要的一个评分标准。作文的各个段落之间紧密联系,共同支撑文章观点;段落的句子间逻辑清晰,很好地支持段落大意;整篇文章以作者的想法为中心展开。

『肆』 英语写作中表达总结意义的衔接词

in conclution, 后接句子
to conclude, 后接句子
in a word, 后接短句
Hence, 后接结论
Therefore/Thereafter, 后接结论
thus 表示结论,用法比较灵活 可以放句首,特定情况下的主语后面以及谓语后面
Admittedly, 后接句子,意思是诚然,表示让步,在文章哪里都能用
as all described/analysed/argued above, 后接句子 as has been noted 如前所述
above all 最重要的是 accordingly 于是
as a result结果 in sum 总之,简而言之 to sum up
in summary 简要地说
as i have said 如我所述 on the whole 总体来说;整个看来
at last 最后
by and large 一般说来
briefly 简单扼要地 to speak frankly 坦白地说
by doing so 如此
eventually 最后 surely 无疑
finally 最后
in brief 简言之 no doubt 毫无疑问 undoubtedly 无疑
in short 简而言之 truly 的确
so 所以
certainly 当然地;无疑地 obviously 显然

注意:all in all 最好不要用, 外国人几乎不用

希望对你有帮助,还有请采纳吧

『伍』 英语写作在英语学习中的重要性

别急 会把英语写作能力提高的
谈谈如何提高英语写作能力

关键词:英语写作能力 原则 方法
引言:英语写作能力是英语听、说、读、写四种基本能力之一,英语写作能有效地促进语言知识的内化。Swain(1985)提出“可理解输出”假设,认为包括写在内的语言产生性运用有助于学习者检验目的语句法结构和词语的使用,促进语言运用的自动化,有效地达到了语言习得的目的。通过写作,英语知识不断得到巩固并内在化,有利于英语技能的全面发展。但是,英语写作又是广大英语学习者最感头痛的问题之一,且容易被教师忽视,笔者以为如何提高英语写作能力值得我们认真研究。本文就此谈谈初浅的看法。
一、提高英语写作能力的原则
(一)渐进性原则。要坚持“句—段—篇”的训练程序,由易到难,循序渐进。在英语写作的初始阶段,要始终注意培养学生良好的写作习惯,狠抓基本功训练。在学生掌握了基本句型并能写出简单句子后,再要求学生根据一些体例写出小段的文章。在段落写作中要引导学生分析段落的结构、段落的中心句、句与句之间的逻辑关系、写作手法等,这样有利于下一步一篇文章的写作。在文章写作中要教会学生如何构思文章、如何运用正确的写作技巧等。
(二)多样性原则。要坚持训练形式的多样化及写作文体的多样性。从形式上而言,可以用回答提问的口头作文,也可以用续写故事;可以改写课文,也可以仿写课文;可以写提纲训练谋篇布局,也可以写拓展段训练发散思维……。从文体上而言,可以写说明文、议论文、记叙文,也可以写书信、便条、通知等实用文体。
(三)结合性原则。要坚持听说读训练和写训练相结合。根据语言习得理论,学习者在学习时常先通过听和读吸取语言知识,从而了解别人的思想,再通过说和写来表达自己的思想,让别人了解自己。大量的听说训练能促进读写能力的提高。因此,写与听说读紧密结合,进行多元化的能力训练,可使学生的各项能力互相影响、互相渗透、互相促进。
(四)控制性原则。要坚持写作前的指导,控制学生的汉语语言思维,发展英语语言思维。语言学习在很大程度上主要是模仿,而非随心所欲地自由表达。教师要加强写作前的指导,可给出范文让学生模仿,以熟悉其语篇结构。同时要控制其汉语语言思维,尽可能让学生习惯英语语言思维,以便于学生学习和掌握地道、正确的英语。
(五)持久性原则。要坚持长期、正确的写作训练。英语写作能力的提高并非一朝一夕之事,而是一个长期的、艰巨的、渐进的过程。这就要求教师、学生都要有充分的思想准备,要有坚韧不拔的意志和必胜的信心。
二、提高英语写作能力的方法。
(一)通过积累词汇量,提高英语写作能力。犹如土木砖石是建筑的材料一样,词汇是说话写作的必需材料,也是制约写作能力提高的瓶颈。可以想象,如果要写一个句子,10个单词有8个单词拼写错误或拼写不出,有2
个单词用法不当,又怎么能清楚地表达自己的思想呢?因此,在平时的教学中要强调学生记忆单词,记住单词的拼读、用法、意思等。记忆单词的方法有很多,各人有各人的记忆方法和习惯,可因人而异。教师可通过要求学生朗读单词、听写单词、默写单词、遣词造句、词汇竞赛等多种方法促进学生记单词。记忆单词是一个长期的反复的过程,要长期地坚持下去,才能不断积累大量的词汇,为英语写作打下坚实的基础。
(二)通过扩大阅读量,提高英语写作能力。古人云“熟读唐诗三百首,不会作诗也会吟”,这是汉语的一种学习方法,同样可借鉴于英语写作。多阅读是学生增加接触英语语言材料、接受信息、活跃思维、增长智力的一种途径,同时也是培养学生英语思维能力、提高理解力、增强语感、巩固和扩大词汇量的一种好方法,有利于促进英语写作能力的提高。在阅读训练中,教师要注意以下问题:一是指导阅读方法,分析文章结构、中心思想、段落中心句、写作方法等,帮助学生掌握各类文章的结构及写作方法。二要精读与泛读相结合,通过推敲优秀的文章来学会写作方法和选词用词;通过大量的泛读来吸取信息量,扩大词汇量。三要扩大阅读量。提供阅读的材料涉及面要广,才能不断扩大学生的知识面,使学生适应各种题材的写作。
(三)通过提高听说能力,提高英语写作能力。英语听说读写四种能力是相互影响、相互促进的,提高听说能力必定会促进写作能力的提高。要提高听说能力关键在于创设一个良好的英语环境。教师要尽可能地用英语授课,多开展专门的听说训练,同时开展丰富多彩的课外英语活动,让学生沉浸在英语海洋中去领略、去体会、去使用英语,久而久之,学生自然能使用正确的、地道的英语进行交谈与写作。
(四)通过重视写作过程,提高英语写作能力。长期以来,英语写作成果教学法(THE PRODUCT
APPROACH)在我国居于主导地位,教师根据写作的终成品来判断写作的成败,重视写作的技术性细节(如格式、拼写、语法等),忽视写作过程的指导。根据D.Rumechart和J.McClelland提出的连通论(Connectionism)理论,写作包括写前阶段、具体写作、文章修改三个基本过程,这三个过程并非是线性排列,而是循环往复,穿插进行的。教师只有重视加强对写作三个过程的指导,才能更好地提高英语写作能力。在写作前阶段,教师重在指导学生如何挖掘题材,训练发散性思维,以及如何选择材料、谋篇布局等。在具体写作中,教师重在指导学生如何紧扣主题、运用正确的写作方法等。在文章修改中,教师重在指导学生如何修改语法及用词的错误。
(五)通过多写英语摘要,提高英语写作能力。英语摘要是把一篇文章的要点摘录出来,用自己的语言使之独立成一篇短文,这不是简单的摘录,而是忠于原文意思的再创作。写英语摘要有利于学生了解原文的文化背景、理解原文的中心意思、弄清原文的篇章结构,从而提高学生的逻辑思维能力和谋篇布局能力。
(六)通过发展英语语言思维能力,提高英语写作能力。英语写作是运用已掌握的内在化语言知识和表达方法,通过思维进行外在化输出的创作,因此英语语言思维能力在英语写作中作用非凡。对于我国学生而言,在英语写作中易受汉语语言思维的影响,难以直接用英语语言进行思维,不利于英语写作能力的提高,因此发展其英语语言思维能力尤为重要。教师要注意对学生的英语语言思维进行多方位、多角度的训练:要采取各种方法训练学生英语语言思维的广阔性、深刻性、发散性和创造性;要教会学生用英语思考问题、回答问题;要从训练形象思维开始,逐步过渡到抽象思维训练;在课文讲解中要尽可能不用汉语翻译而用英语解释,消除汉语思维的影响;要努力创设良好的英语环境,在英语交际中发展英语思维能力。

写好英语段落的三个标准

首先,一个段落必须有一个中心即主题思想,该中心由主题句特别是其中的题旨来表达。整个段落必须紧扣这个主题(stick or hold to the topic),这就是段落的统一性(unity)。其次,一个段落必须有若干推展句,使主题思想得到充分展开,从而给读者一个完整的感觉,这就是完整性(completeness or adequateness)。再者,一个段落不是杂乱无章的,而是有机的组合,句子的排列顺序必须合乎逻辑,从一个句子到另一个句子的过渡必须流畅(smooth),这就是连贯性(coherence)。下面我们就对这三个标准分别加以说明。
1、统一性
一个段落内的各个句子必须从属于一个中心,任何游离于中心思想之外的句子都是不可取的。请看下例:
Joe and I decided to take the long trip we'd always wanted across the country. We were like young kids buying our camper and stocking it with all the necessities of life. Bella bakes the best rhubarb pie. We started out in early spring from Minneapolis and headed west across the northern part of the country. We both enjoyed those people we met at the trailer park. Joe received a watch at his retirement dinner. To our surprise, we found that we liked the warm southern regions very much, and so we decided to stay here in New Mexico.
本段的主题句是段首句,controlling idea(中心思想)是take the long trip across the country.文中出现两个irrelevant sentences,一个是Bella bakes the best rhubarb pie,这一段是讲的是Joe and I ,中间出现一个Bella是不合适的。还有,Joe received a watch at his retirement dinner这一句更是与主题句不相关。考生在四级统考的作文卷上常常因为造出irrelevant sentences(不相关语句)而丢分,值得引起注意。再看一个例子:
My name is Roseanna, and I like to keep physically fit. I used to weigh two hundred pounds, but I joined the YMCA for an exercise class and diet program. In one year I lost eighty pounds. I feel much better and never want to have that much weight on my five-feet frame again. I bought two new suitcases last week. Everyday I practice jogging three miles, swimming fifteen laps, lifting twenty-pound weights and playing tennis for one hour. My mother was a premature baby.
本段的controlling idea 是like to deep physically fit,但段中有两个irrelevant sentences,一个是I bought two new suitcases last week,另一个是My mother was a premature baby.
从上面两个例子可以看出,native speakers同样会造出来irrelevant sentences.卷面上如果这种句子多了,造成偏题或离题,那问题就更严重了。
2、完整性
正象我们前面说得那样,一个段落的主题思想靠推展句来实现,如果只有主题句而没有推展句来进一步交待和充实,就不能构成一个完整的段落。同样,虽然有推展句,但主题思想没有得到相对圆满的交待,给读者一种意犹未尽的感觉。这样的段落也不能完成其交际功能。例如:
Physical work can be a useful form of therapy for a mind in turmoil. Work concentrates your thoughts on a concrete task. Besides, it is more useful to work —— you proce something rather than more anxiety or depression.
本段的主题句是段首句。本段的两个推展句均不能回答主题句中提出的问题。什么是“a mind in turmoil”(心境不平静)Physical work又如何能改变这种情况?为什么它能起therapy的作用?读者得不到明确的答案。由于四级统考的作文部分只要求写一篇100~120个词的三段式短文,每一段只有大约40个词左右,因此,要达到完整就必须尽可能地简明。例如:
It is not always true that a good picture is worth a thousand words. Often writing is much clearer than a picture. It is sometimes difficult to figure out what a picture means, but a careful writer can almost always explain it.
段首句所表达的主题思想是一种看法,必须有具体事例加以验证。上述两个推展句只是在文字上对主题作些解释,整个段落内容空洞,简而不明。如果用一两个具体的例子的话,就可以把主题解释清楚了。比如下段:
It is not always true that a picture is worth a thousand words. Sometimes, pictures are pretty useless things. If you can't swim and fall in the river and start gulping water, will you be better off to hold up a picture of yourself drowning, or start screaming “Help”?
3、连贯性(coherence)
连贯性包括意连和形连两个方面,前者指的是内在的逻辑性,后者指的是使用转换词语。当然这两者常常是不可分割的。只有形连而没有意连,句子之间就没有内在的有机的联系;反之,只有意连而没有形连,有时行文就不够流畅。
1)、意连
段落中句子的排列应遵循一定的次序,不能想到什么就写什么。如果在下笔之前没有构思,边写边想,写写停停,那就写不出一气呵成的好文章来。下面介绍几种常见的排列方式。
A.按时间先后排列(chronological arrangement)
We had a number of close calls that day. When we rose, it was obviously late and we had to hurry so as not to miss breakfast; we knew the dining room staff was strict about closing at nine o'clock. Then, when we had been driving in the desert for nearly two hours —— it must have been close to noon —— the heat nearly hid us in; the radiator boiled over and we had to use most of our drinking water to cool it down. By the time we reached the mountain, it was our o'clock and we were exhausted. Here, judgement ran out of us and we started the tough climb to the summit, not realizing that darkness came suddenly in the desert. Sure enough, by six we were struggling and Andrew very nearly went down a steep cliff, dragging Mohammed and me along with him. By nine, when the wind howled across the flat ledge of the summit, we knew as we shivered together for warmth that it had not been our lucky day.
本段从“rose”(起床)写起,然后是吃早餐(“not to miss breakfast”, “closing at nine o'clock”),然后是“close to noon”,一直写到这一天结束(“By nine——”)。
B. 按位置远近排列(spatial arrangement)。例如:
From a distance, it looked like a skinny tube, but as we got closer, we could see it flesh out before our eyes. It was tubular, all right, but fatter than we could see from far away. Furthermore, we were also astonished to notice that the building was really in two parts: a pagoda sitting on top of a tubular one-story structure. Standing ten feet away, we could marvel at how much of the pagoda was made up of glass windows. Almost everything under the wonderful Chinese roof was made of glass, unlike the tube that it was sitting on, which only had four. Inside, the tube was gloomy, because of the lack of light. Then a steep, narrow staircase took us up inside the pagoda and the light changed dramatically. All those windows let in a flood of sunshine and we could see out for miles across the flat land.
本段的写法是由远及近,从远处(“from a distance”)写起,然后“get closer”,再到(“ten feet away”),最后是“inside the pagoda”……当然,按位置远近来写不等于都是由远及近。根据需要,也可以由近及远,由表及里等等。
C. 按逻辑关系排列(logical arrangement)
a. 按重要性顺序排列(arrangement in order of importance)
If you work as a soda jerker, you will, of course, not need much skill in expressing yourself to be effective. If you work on a machine, your ability to express yourself will be of little importance. But as soon as you move one step up from the bottom, your effectiveness depends on your ability to reach others through the spoken or the written word. And the further away your job is from manual work, the larger the organization of which you are an employee, the more important it will be that you know how to convey your thoughts in writing or speaking. In the very large business organization, whether it is the government, the large corporation, or the Army, this ability to express oneself is perhaps the most important of all the skills a man can possess.
这一段谈的是表达能力,它的重要性与职业,身份有关,从“not need much skill”或“of little importance”到“more important”,最后是“most important”。
b.由一般到特殊排列(general-to-specific arrangement)
If a reader is lost, it is generally because the writer has not been careful enough to keep him on the path. This carelessness can take any number of forms. Perhaps a sentence is so excessively cluttered that the reader, hacking his way through the verbiage, simply doesn't know what it means. Perhaps a sentence has been so shoddily constructed that the reader could read it in any of several ways. Perhaps the writer has switched tenses, or has switched pronouns in mid-sentence, so the reader loses track of when the action took place or who is talking. Perhaps sentence B is not logical sequel to sentence A —— the writer, in whose head the connection is clear, has not bothered to provide the missing link. Perhaps the writer has used an important word incorrectly by not taking the trouble to look it up. He may think that “sanguine” and “sanguinary” mean the same thing, but the difference is a bloody big one. The reader can only infer what the writer is trying to imply.
这一段谈的是a writer's carelessness,先给出一个general statement作为主题句,然后通过5个 ”perhaps”加以例证。
c. 由特殊到一般排列(specific-to-general arrangement)
I do not understand why people confuse my Siamese cat, Prissy, with the one I had several years ago, Henry. The two cats are only alike in breed. Prissy, a quiet, feminine feline, loves me dearly but not possessively. She likes to keep her distance from people, exert her independence and is never so rude as to beg, lick, or sniff unceremoniously. Her usual posture is sitting upright, eyes closed, perfectly still. Prissy is a very proper cat. Henry, on the other hand, loved me dearly but possessively. He was my shadow from morning till night. He expected me to constantly entertain him. Henry never cared who saw him do anything, whether it was decorous or not, and he usually offended my friends in some way. The cat made himself quite comfortable, on the top of the television, across stranger's feet or laps, in beds, drawers, sacks, closets, or nooks. The difference between them is imperceptible to strangers.
本段的主题句是段首句,它仅提出一个问题:为什么两只猫会被搞混。然后对两者进行比较,末句才下结论。
2)、形连
行文的逻辑性常常要靠适当的转换词语及其他手段来实现。请读下面这一段文字并找出文中用以承上启下的词语:
Walter's goal in life was to become a successful surgeon. First, though, he had to get through high school, so he concentrated all his efforts on his studies —— in particular, biology, chemistry, and math. Because he worked constantly on these subjects, Walter became proficient in them; however, Walter forgot that he needed to master other subjects besides those he had chosen. As a result, ring his junior year of high school, Walter failed both English and Latin. Consequently, he had to repeat these subjects and he was almost unable to graate on schele. Finally, on June 6, Walter achieved the first step toward realizing his goal.
本文中起承上启下的词语有两种,一种是转换词语(transitional words or phrases),另一种是起转换作用的其他连接手段(linking devices)。前者依次有:first, though, so, in particular, and, because, however, besides, as a result, both…and, consequently, and, finally.后者依次是:he, he, his, his, he, these, them, he, those, his, he, these, his. 本段中共有词汇105个,所使用的转换词语及其他连接用语共26个词,约占该段总词汇量的四分之一。由此可见,掌握好transitions不仅对行文的流(smoothness)有益,而且对于学生在半个小时内写足四级短文所要求的120个词也是不无好处的。
一个段落里如果没有transitions也就很难有coherence了。我们看下面一个例子:Speaking and writing are different in many ways. Speech depends on sounds. Writing uses written symbols. Speech developed about 500 000 years ago. Written language is a recent development. It was invented only about six thousand years ago. Speech is usually informal. The word choice of writing is often relatively formal. Pronunciation and accent often tell where the speaker is from. Pronunciation and accent are ignored in writing. A standard diction and spelling system prevails in the written language of most countries. Speech relies on gesture, loudness, and rise and fall of the voice. Writing lacks gesture, loudness and the rise and fall of the voice. Careful speakers and writers are aware of the differences.
本段中除了第6句开头出现一个起过渡作用的”it”之外,没有使用其他的过渡词语。这样,文中出现许多重复的词语,全段读起来也显得生硬而不自然。如果加上必要的过渡词语来修饰的话,这一段就成了下面一个流畅连贯的段落:
Speaking and writing are different in many ways. Speech depends on sounds; writing, on the other hand, uses written symbols. Speech was developed about 500 000 years ago, but written language is a recent development, invented only about six thousand years ago. Speech is usually informal, while the word choice of writing, by contrast, is often relatively formal. Although pronunciation and accent often tell where the speaker is from, they are ignored in wiring because a standard diction and spelling system prevails in most countries. Speech relies on gesture, loudness, and the rise and fall of the voice, but writing lacks these features. Careful speakers and writers are aware of the differences.
4、有损连贯性的几种情况:
考生在写作中经常出现下面几种错误:
1、不必要的改变时态,比如:
In the movie, Robert Redford was a spy. He goes to his office where he found everybody dead. Other spies wanted to kill him, so he takes refuge with Julie Christie. At her house, he had waited for the heat to die down, but they come after him anyway.
2、不必要的改变单复数,比如:
Everybody looks for satisfaction in his life. They want to be happy. But if he seeks only pleasure in the short run, the person will soon run out of pleasure and life will catch up to him. They need to pursue the deeper pleasure of satisfaction in work and in relationships.
3、不必要的改变人称,比如:
Now more than ever, parents need to be in touch with their children's activities because modern life has the tendency to cause cleavages in the family. You need to arrange family like it so that family members will do things together and know one another. You need to give up isolated pleasures of your own and realize that parents have a set of obligations to sponsor togetherness and therefore sponsor knowledge.
因此写作中,一定要注意时态,人称以及数的变化是否正确,要注意保持一致。

『陆』 如何做好英语写作时的连贯性研究 博客

写作的四项评分标准中,大部分考生关注的是词汇的替换、拼写的准确以及句法的多样性这几个比较基础的方面,对于连贯和衔接这一项的要求因为和我们的母语产出是一样的,所以很多考生往往觉得不必要重视,顺其自然地写下去就好。但分析认为,实际上不论图表分析还是议论文,在这一项上失分的情况都比较多,而只要理解并引起足够的重视这种原因造成的失分比词汇和句法方面的更容易纠正。
连贯和衔接这一评分标准中我们一般所提到的只是衔接,也就是说前后两个句子或者段落之间要有如but, and, therefore 等信号词反映出内容之间的逻辑关系,常见的有顺接、转折、并列、递进、因果等等。而连贯体现在语域和逻辑两个方面。前者指的是全文的措辞、文风、句式等应保持一致;后者指的是文章应该有合理的组织和合理的主位化,相邻的句子应围绕一定的核心概念来表达,使得全篇行文通畅。
语域方面的连贯问题在议论文中比较严重,也就是所谓的模板句式太多或者Memorized的词汇或短语太多,与全文文风不符,学员反馈最低压到4.5到5分。逻辑方面的连贯主要是在图表作文中问题较多。主位(theme)不完全等同于主语,因为主语一般是动作的发出者或者评价的对象,而主位是侧重于每个句子由什么开始,可以是名词充当的主语,也可以是时间或地点状语。适当的调整主位是为了服务于行文的连贯性。如:
It can be seen from the figure quoted that Brisbane and Perth consumed the same water when it was under 125 kl, with 0.42 per kilometer. Sydney took the leading position at this level, with $0.98, comparing to Adelaide and Melbourne ranged from $0.78 to $0.84 per kilometer.
Things changed a little bit when the consumption over 125 kl. Sydney remained its first position($0.98 per kl). Meanwhile Adelaide ($0.78) and Melbourne ($0.84) ranked the least.
这两个段落有明显的单词和句式的重复,而且有句法错误,所以得分不会高于6分。但上述问题不是短时间内可以纠正过来的,而连贯方面的问题则不同,这实际上是读图时的要求。
两段联系起来可以看出作者分段是按照耗水量是否超过125kl来分段的,所以大于或小于125kl就应该作为每段突出强调的部分提前,即将其主位化。第一段明显安排欠妥。
此外第一段中开始写的是Brisbane and Perth用水的数量相同,而后面写的是Sydney和另外两个城市的水价比较,这段的主线就游移不定,也就是说前后不是围绕同一点来的,所以不够连贯。此外,如果我们要从用水量低于125kl这个图开始分析,一般也应该分成两类:用水量和单价,并且视情况分别写出极值、排序、比较等。
分析认为,很多考生觉得图表作文不怎么出彩,所以将主要精力放在应付议论文上,对于读图分析根本不重视才造成上述问题。而段落的划分是最基本的分析图表要求,如果分得不清楚,或者明明分段但是段首句主位处理不当,将肯定会失分。

『柒』 雅思作文段落间如何连贯衔接

1、连贯性是文章能够传达信息的关键。1分对应的连贯性是几乎没有连贯性。丧失了连贯性的文章没有组织结构,没有内在逻辑,因而出现“不能传达任何信息”的描述。这很好理解,因为没有组织的文章,并不能完整地表达一个意思;文章各个部分之间,甚至可能是互相冲突的。我们能够进一步推知,认为雅思写作只考语言不看内容的想法是错误的;至少写作的评分标准当中强调了文章要表达一定的观点,这不是仅仅靠几个连接词就可以做到的。每个人的情况不同,也可以登录文都国际教育官网进行一对一的咨询。
2、段落组织是实现连贯性、进而取得写作高分的重要任务。9分的标准是“非常有技巧地进行段落组织”,这话有点不太好理解,因为段落组织和有技巧地都太过抽象。但是基本的任务我们是明确的:就是要组织段落,表达和支持一个观点和意思。如果对这个组织有什么要求的话,那就是这些段落的组织要遵从一定的逻辑顺序,例如并列,递进,或者背反,等等。
为了进一步弄清连贯性的内涵,我们继续看看中国考生最经常得到的5分和6分的描述。
5分:有一些组织,但整体推进欠缺;文章不以段落的形式出现,或者分段不合适。
6分:连贯地安排信息和观点,并且有总体的推进;有段落安排,但并不总是有逻辑。
我们看到这里主要有两条标准:一是文章整体的组织和推进;一是文章的分段和段落之间的逻辑关系。
文章整体的组织说的是文章能不能完整地表达一个观点。换句话说,文章是否有明显的观点,这些观点能否得到支撑。这里尤其要注意的是推理的环节。中文的逻辑是演绎的,我们只需要摆出证据和结论,中间的逻辑联系似乎一目了然。但是在英文中,证据和结论之间的关系要通过推理来证明。如果没有推理过程,那么显然这篇文章在连贯性,或者至少在文章组织方面是得不到高分的;因为没有推理的文章看起来是观点的罗列。
文章的分段和段落之间的逻辑关系牵涉到英语写作中的一条重要原则,即one paragraph, one
point。一段表达一个意思。首先文章必须要分段;其次,分段的标准在于一个意思是否已经表达清楚。除此之外,还必须考虑两段的观点之间是否互相抵触,或者交叉,或者重复。如果有这样的情况,那就必须要将内容进行重新安排。
雅思范文写作技巧不是一朝一夕就可以练好的,还是需要时间和实践的积累,相信在你每个日夜复习雅思的背后,你也可以写就一篇好的雅思范文。

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