海明威写作特色英语

❶ 从《老人与海》看海明威作品的写作风格 怎么翻译成英文

Study the writing style of Hemingway's works from " old man and sea "

我个人认为，用study，有学习、研究的意思，题目的“看”也就是要找出或者学回习他的协作风格，仅供答参考！

❷ 海明威的写作特点

在众伟大的复美国作家中，海明威以独特制的写作风格而著称。在他所有的作品中，《老人与海》最能体现他独特的写作风格和手法。这部小说语言看似简洁自然，其实包含了作者的精心揣摩和润色加工。有时为了突出某一部分，作者会采用长句代替短句。文中的对话内容真实、贴近生活，而表达形式则经过了艺术加工。小说简洁自然的语言背后隐藏了深刻的意义和感情。文中还运用了比喻、拟人等修辞手法.还名位的这种独特风格与他当过新闻记者的经历有关,同时他兼菜各家之长,自成一体,形成了自己独特的创作方法和艺术风格。这种风格对整个世界文坛产生了重要的影响。
《老人与海》这部小说中运用了大量的事实,他们大多来自于作者亲身经历。海明威对这些事实精心选择,从而吸引读者的兴趣并使读者有一种身临其境的感觉。小说一开始用大量事实描写了主人公生活的环境,叙述风格简洁自然,未加任何感情色彩。随着情节的发展,大量的事实主要被运用于主人公的心理活动之中,而不是主要由作者来叙述。同时,这些事实构成了整个小说体系中不可缺少的一部分。

❸ 急！急！急！英语的海明威 写作风格，手法，和文学重要性

Writing style(写作风格)
The New York Times wrote in 1926 of Hemingway's first novel, "No amount of analysis can convey the quality of The Sun Also Rises. It is a truly gripping story, told in a lean, hard, athletic narrative prose that puts more literary English to shame." The Sun Also Rises is written in spare, tightly written prose, for which Hemingway became famous; a style that has influenced countless crime and pulp fiction novels. In 1954, when Hemingway was awarded the Nobel Prize for Literature, it was for "his mastery of the art of narrative, most recently demonstrated in The Old Man and the Sea, and for the influence that he has exerted on contemporary style."Because he began as a writer of short stories, Baker believes Hemingway learned to "get the most from the least, how to prune language, how to multiply intensities and how to tell nothing but the truth in a way that allowed for telling more than the truth." Hemingway called his style the iceberg theory: the facts float above water; the supporting structure and symbolism operate out of sight. The concept of the iceberg theory is sometimes referred to as the "theory of omission." Hemingway believed the writer could describe one thing (such as Nick Adams fishing in "The Big Two-Hearted River") though an entirely different thing occurs below the surface (Nick Adams concentrating on fishing to the extent that he does not have to think about anything else).
Themes（手法）
The recurring themes of American literature are clearly evident in Hemingway's work. Critic Leslie Fiedler sees the theme he defines as "The Sacred Land"—the American West—extended in Hemingway's work to include mountains in Spain, Switzerland and Africa, and to the streams of Michigan. The American West is given a symbolic nod with the naming of the "Hotel Montana" in The Sun Also Rises and For Whom the Bell Tolls. Although Hemingway writes about sports, Carlos Baker believes the emphasis is more on the athlete than the sport. According to Stoltzfus and Fiedler, Hemingway's nature is a place for rebirth, for therapy, and the hunter or fisherman has a moment of transcendence when the prey is killed. Nature is where men are without women: men fish; men hunt; men find redemption in nature.
Fiedler believes Hemingway inverts the American literary theme of the evil "Dark Woman" versus the good "Light Woman". The dark woman—Brett Ashley of The Sun Also Rises—is a goddess; the light woman—Margot Macomber of "The Short Happy Life of Francis Macomber"—is a murderess. Robert Scholes admits that early Hemingway stories, such as "A Very Short Story", present "a male character favorably and a female unfavorably."According to Rena Sanderson, early Hemingway critics lauded his male-centric world of masculine pursuits, and the fiction divided women into "castrators or love-slaves." Feminist critics attacked Hemingway as "public enemy number one", although more recent re-evaluations of his work "have given new visibility to Hemingway's female characters (and their strengths) and have revealed his own sensitivity to gender issues, thus casting doubts on the old assumption that his writings were one-sidedly masculine." Nina Baym believes that Brett Ashley and Margot Macomber "are the two outstanding examples of Hemingway's 'bitch women.'"
The theme of women and death is evident in stories as early as "Indian Camp". The theme of death permeates Hemingway's work. Young believes the emphasis in "Indian Camp" was not so much on the woman who gives birth or the father who commits suicide, but on Nick Adams who witnesses these events as a child, and becomes a "badly scarred and nervous young man." Hemingway sets the events in "Indian Camp" that shape the Adams persona. Young believes "Indian Camp" holds the "master key" to "what its author was up to for some thirty-five years of his writing career." Stoltzfus considers Hemingway's work to be more complex with a representation of the truth inherent in existentialism: if "nothingness" is embraced, then redemption is achieved at the moment of death. Those who face death with dignity and courage live an authentic life. Francis Macomber dies happy because the last hours of his life are authentic; the bullfighter in the corrida represents the pinnacle of a life lived with authenticity. In his paper The Uses of Authenticity: Hemingway and the Literary Field, Timo Mü writes that Hemingway's fiction is successful because the characters live an "authentic life", and the "soldiers, fishers, boxers and backwoodsmen are among the archetypes of authenticity in modern literature".
The theme of emasculation is prevalent in Hemingway's work, most notably in The Sun Also Rises. Emasculation, according to Fiedler, is a result of a generation of wounded soldiers; and of a generation in which women such as Brett gained emancipation. This also applies to the minor character, Frances Clyne, Cohn's girlfriend in the beginning in the book. Her character supports the theme not only because the idea was presented early on in the novel but also the impact she had on Cohn in the start of the book while only appearing a small number of times. Baker believes Hemingway's work emphasizes the "natural" versus the "unnatural". In "Alpine Idyll" the "unnaturalness" of skiing in the high country late spring snow is juxtaposed against the "unnaturalness" of the peasant who allowed his wife's dead body to linger too long in the shed ring the winter. The skiers and peasant retreat to the valley to the "natural" spring for redemption.
Some critics have characterized Hemingway's work as misogynistic and homophobic. Susan Beegel analyzed four decades of Hemingway criticism, published in her essay "Critical Reception". She found, particularly in the 1980s, "critics interested in multiculturalism" simply ignored Hemingway; although some "apologetics" have been written. Typical is this analysis of The Sun Also Rises: "Hemingway never lets the reader forget that Cohn is a Jew, not an unattractive character who happens to be a Jew but a character who is unattractive because he is a Jew." During the same decade, according to Beegel, criticism was published that investigated the "horror of homosexuality", and racism in Hemingway's fiction.

Influence and legacy（文学重要性）
Hemingway's legacy to American literature is his style: writers who came after him emulated it or avoided it.After his reputation was established with the publication of The Sun Also Rises, he became the spokesperson for the post–World War I generation, having established a style to follow. His books were burned in Berlin in 1933, "as being a monument of modern decadence", and disavowed by his parents as "filth". Reynolds asserts the legacy is that "he left stories and novels so starkly moving that some have become part of our cultural heritage." In a 2004 speech at the John F. Kennedy Library, Russell Banks declared that he, like many male writers of his generation, was influenced by Hemingway's writing philosophy, style, and public image. Müller reports that Hemingway "has the highest recognition value of all writers worldwide".
Benson believes the details of Hemingway's life have become a "prime vehicle for exploitation", resulting in a Hemingway instry. Hemingway scholar Hallengren believes the "hard boiled style" and the machismo must be separated from the author himself.Benson agrees, describing him as introverted and private as J. D. Salinger, although Hemingway masked his nature with braggadocio. In fact, ring World War II, Salinger met and corresponded with Hemingway, whom he acknowledged as an influence. In a letter to Hemingway, Salinger claimed their talks "had given him his only hopeful minutes of the entire war" and jokingly "named himself national chairman of the Hemingway Fan Clubs."
The extent of Hemingway's influence is seen in the tributes and echoes of his fiction in popular culture. A minor planet, discovered in 1978 by Soviet astronomer Nikolai Stepanovich Chernykh, was named for him (3656 Hemingway); Ray Bradbury wrote The Kilimanjaro Device, with Hemingway transported to the top of Mount Kilimanjaro; the 1993 motion picture Wrestling Ernest Hemingway, about the friendship of two retired men, Irish and Cuban, in a seaside town in Florida, starred Robert Duvall, Richard Harris, Shirley MacLaine, Sandra Bullock, and Piper Laurie. The influence is evident with the many restaurants named "Hemingway"; and the proliferation of bars called "Harry's" (a nod to the bar in Across the River and Into the Trees). A line of Hemingway furniture, promoted by Hemingway's son Jack (Bumby), has pieces such as the "Kilimanjaro" bedside table, and a "Catherine" slip-covered sofa. Montblanc offers a Hemingway fountain pen, and a line of Hemingway safari clothes has been created. The International Imitation Hemingway Competition was created in 1977 to publicly acknowledge his influence and the comically misplaced efforts of lesser authors to imitate his style. Entrants are encouraged to submit one "really good page of really bad Hemingway" and winners are flown to Italy to Harry's Bar.
In 1965 Mary Hemingway established the Hemingway Foundation and in the 1970s she donated her husband's papers to the John F. Kennedy Library. In 1980 a group of Hemingway scholars gathered to assess the donated papers, subsequently forming the Hemingway Society, "committed to supporting and fostering Hemingway scholarship."
Almost exactly 35 years after Hemingway's death, on July 1, 1996, his granddaughter Margaux Hemingway died in Santa Monica, California. Margaux was a supermodel and actress, co-starring with her sister Mariel in the 1976 movie Lipstick. Her death was later ruled a suicide, making her "the fifth person in four generations of her family to commit suicide."

❹ 海明威写作风格

1、朴实

海明威有着出色的语言驾驭能力，他常以最简单的词汇表达最复杂的内容，专用基本词属汇、简短句式等表达具体含义，用名词、动词来揭示事物的本来面目，丝毫无矫揉造作之感。

2、直观

文学艺术要表现情感，但情感却是依靠事物的外观透视出来的，越是对事物外观的直接描摹，越能产生强烈的视觉真实性，越能拉近读者与作家的距离。

3、含蓄情感

海明威有自己特殊的艺术风格，他强调写作的客观性与主题思想的隐晦含蓄，反对作者直接出场对人物进行评说与暗示，他常用含蓄的语言表达复杂的情感，用有限的形式表达无尽的内涵，因而，他的小说在外观不动声色，但内在情感却是丰厚炽热。

(4)海明威写作特色英语扩展阅读：

人物影响

海明威被誉为美利坚民族的精神丰碑，并且是“新闻体”小说的创始人，他的笔锋一向以“文坛硬汉”著称。

海明威的生平和文学生涯从一开始就争议不断。无论海明威是作为一位传奇式人物，还是作为一位作家，他以其独特的艺术风格和高超的写作技巧创造了一种简洁流畅、清新洗练的文体，净化了一代的传统文风，在欧美文学界产生了巨大的影响。

❺ 海明威的写作风格是什么

20世纪传奇作家欧内斯特·海明威的写作风格是什么?

海明威自己称之为“冰山理论”。

尽管在过去几十年里，海明威在现代读者眼中的知名度可能有所下降，但在上个世纪的大部分时间里，他即使不是他那个时代最伟大的作家，也被认为是世界上受人尊敬的作家中的巨人。

作为一个脚注，《永别了，武器》是一部对战争、爱情以及双方战线上深切影响的损失进行的深刻而美丽的、内省的探索。

❻ 海明威的作品风格是什么

1、作品风格
简洁
海明威有着出色的语言驾驭能力，他常以最简单的词汇表达最复杂的内容，用基本词汇、简短句式等表达具体含义，用名词、动词来揭示事物的本来面目，丝毫无矫揉造作之感。从句式上看，海明威常用简短的陈述句进行语言表述，他认为没有必要用文字修饰雕琢来哗众取宠，只要将事物描述清楚就行，其他的则由读者来决定。
2、人物简介
欧内斯特·米勒尔·海明威（Ernest Miller Hemingway，1899年7月21日－1961年7月2日），美国作家和记者，被认为是20世纪最著名的小说家之一。出生于美国伊利诺伊州芝加哥市郊区的奥克帕克，晚年在爱达荷州凯彻姆的家中自杀身亡。海明威一生中的感情错综复杂，先后结过四次婚，[是美国“迷惘的一代”（Lost Generation）作家中的代表人物，作品中对人生、世界、社会都表现出了迷茫和彷徨。
在海明威一生之中曾荣获不少奖项。他在第一次世界大战期间被授予银制勇敢勋章；1953年，他以《老人与海》一书获得普利策奖；1954年，《老人与海》又为海明威夺得诺贝尔文学奖。2001年，海明威的《太阳照样升起》（The Sun Also Rises）与《永别了，武器》两部作品被美国现代图书馆列入“20世纪中的100部最佳英文小说”中。
海明威一向以文坛硬汉著称，他是美利坚民族的精神丰碑。海明威的作品标志着他独特创作风格的形成，在美国文学史乃至世界文学史上都占有重要地位。
3、人物影响
海明威被誉为美利坚民族的精神丰碑，并且是“新闻体”小说的创始人，他的笔锋一向以“文坛硬汉”著称。 海明威的生平和文学生涯从一开始就争议不断。无论海明威是作为一位传奇式人物，还是作为一位作家，他以其独特的艺术风格和高超的写作技巧创造了一种简洁流畅、清新洗练的文体，净化了一代的传统文风，在欧美文学界产生了巨大的影响。
二十世纪的最后一位文化英雄海明威是蜚声世界文坛的美国现代小说家，他在62年的生涯中，写下了《太阳照常升起》、《永别了，武器》、《丧钟为谁而鸣》、《老人与海》等作品，曾以“迷惘的一代”的代表著称。海明威的《老人与海》是一部融信念、意志、顽强、勇气和力量于一体的书，它让人彻底懂得了打不垮的坚不可摧的精神力量究竟是个什么样。它、它围绕一位老年古巴渔夫，与一条巨大的马林鱼在离岸很远的湾流中搏斗而展开故事的讲述。 完美地体现了作者所说的“你尽可把他消灭掉，可就是打不败他”的思想。
4、人物评价
海明威处处惹事，人人受气，给人留下了如此印象：喜欢冒险，四任妻子，拼命喝酒，任意争吵等，这么多病一直缠着他，最后用心爱的猎枪结束了自己的生命。对于海明威自杀的评价，正如约翰·肯尼迪总统的唁电所说：“几乎没有哪个美国人比欧内斯特·海明威对美国人民的感情和态度产生过更大的影响。”
诺贝尔文学奖获奖者的哥伦比亚作家马尔克斯为纪念海明威逝世二十周年而写一篇名为《与海明威相见》纪念文章：“海明威的所有作品都洋溢着他那闪闪发光、但却瞬间即逝的精神。这是人们可以理解的。像他那样的内在紧张状态是严格掌握技巧而造成的，但技巧却不可能在一部长篇小说的宏大而又冒险的篇幅中经受这种紧张状态的折磨。这是他的性格特征，而他的错误则在于试图超越自己的极大限度。这就说明，为什么一切多余的东西在他身上比在别的作家身上更引人注目。如同那质量高低不一的短篇小说，他的长篇也包罗万象。与此相比，他的短篇小说的精华在于使人得出这样的印象，即作品中省去了一些东西，确切地说来，这正是使作品富于神秘优雅之感的东西。”
美国著名文学评论家威拉德·索普在他的《二十世纪美国文学》中对海明威给予了崇高的评价：“海明威是当代最伟大的自然主义作家之一。他敢于突破传统，刨造新的风格和手法未泊应题材的需要。”
《纽约时报》评论说：“海明威本人及其笔下的人物影响了整整一代甚至几代美国人，人们争相仿效他和他作品中的人物，他就是美国精神的化身。”
“孤高自许，目无下尘。”美国作家索尔·贝娄指出海明威的性格：“海明威有着一种强烈的愿望，他试图把自己对事物的看法强加于我们，以便塑造出一种硬汉的形象……当他在梦幻中向往胜利时，那就必定会出现完全的胜利、伟大的战斗和圆满的结局。”

❼ 美国作家海明威的写作风格 最好英文

美国 “迷惘一代” 的著名代表人,硬汉风格

❽ 对海明威写作特点的评价

我在青年时期阅读海明威作品，常常惊叹他的文笔的简洁明快，毫无中文写作的拖泥带水、虚饰渲染倾向。当时我所读的还是译文，后来读了英文原作，更为叹服。海明威的自然、随意、易读的作风成为二十年代写作（特别是新闻写作）的榜样∶一个作家在动笔开始时，不必一心一意瞄准於所谓「文艺写作」；装摸作样、形容词助动词堆砌连篇的华丽散文不一定是一部杰作。海明威风格一时成为大学文学课程与写作课教导的时尚。五十、六十年代是他的著作在读书界与学术界最吃香的时期。
今日我们在纪念海明威百年诞辰之时回顾他的一生全部著作，仍把他青年旺盛时期的作品视为达到艺术顶峰的杰作。一九二六年的「太阳照常升起」，一九二九年的「永别了，武器」，一九四○年的「丧钟为谁而鸣」都已成为他在美国文学史中的经典作。他於一九五四年获得诺贝尔文学奖并非没有理由。

不过他的后期生活并不是十分如意的。自从第二次大战开始直到他於一九六一年自尽的二十年中，他不能专心写作，往往有困难完成整部作品。这样心情的起因是第二次大战。这位曾在第一次大战战地服务、自命男子汉大丈夫的作家，当时移居古巴，不能参与战争行动，但仍具有英雄式的罗曼蒂克的观念。抑郁情绪令他养成酗酒习惯。一九五○年的「过河入林」乃是他首次未获评论家赞扬的平庸之作，到了一九五二年「老人与海」恢复了他的名誉，终而於一九五四年获得诺贝尔文学奖。

但是他的抑郁情绪未减，专家揣测他於一九六一年吞枪自尽的原因有二∶创作能力的削逝与性能力的衰落。他好像自知后期作品未能达到当年的盛期标准，不让书局出版，把原稿锁在保险箱中。果然，几部在他死后出版的遗作如「一个可移动的筵席」，「危险的夏季」，「溪流岛屿」，「伊甸园」等都没能获得佳评。海明威吃香时期已过，他的作风受青年新作家仿效，而他自己的那些遗作也已相似那些仿效品。 为了纪念他的百年诞辰，他的儿子派屈立克在出版商同意之下，把他的遗稿「曙光示真」（TRUE AT FIRST LIEHT）整理一下，刚於最近出版。「曙光示真」的副题是「一部虚构的回忆录」，海明威的原意显然是借他在非洲狩猎的生活经历加上一些虚构想像，成为一部似真非真的小说。叙事者是一位精於枪法的、无畏的打猎手，与一土人部落少女发生了关系。（海明威妻子玛丽否认那是实事）。可是海明威本人究竟有没有与黑女发生过性关系，已成为「美国文坛」一个大疑团（去年十月我曾在他处发表一篇「海明威娶非洲处女为妾」之文）。

海明威一向对写作认真，尤其是写关於非洲的东西，如果认为不如意，就把原稿搁在一旁不问世。他在生前曾说过，对一位作家而言，最糟糕的事是他人将他的著作「重写、改写、未获本人允许而发表为他的作品」。「曙光示真」由海明威自己的儿子整理出版（从二十万字原稿选出十余万字），而且用了「虚构的回忆录」名义，不免令人怀疑出版商的用意，是不是要借他的大名盈利。

六十年代美国社会情势的剧变开始转移读者们对他作品的看法，“新兴的女权主义者批评他的大男人主义口吻，黑人人权运动者攻击他有种族偏见。「曙光示真」原稿形式是一九五三年时作者与妻子（第四任）玛丽在非洲的狩猎日记，述说作者爱上了一个土著少女，把她称呼为「未婚妻」或「外妻」。海明威写作特点是他能将自己个性的内心冲突因素客观地溶入在他的虚构小说之内。此书他用第一人称（我）叙述故事，这种自我奚落成份就冲淡，自大气氛就不见流露。这就成为「曙光示真」大毛病之一，在此书中，第一人称的叙事者被描绘为受女性爱慕的大丈夫男子汉似的白人大猎手，字里行间透露了作者（我）的自负自大的气概，而他对黑人土著的批评确含有种族偏见。

海明威初期作品的文笔，我可用「精确」（PRE CISE）与「简明」（CONCISE）二词来形容。可是「曙光示真」的文字虽仍保持简洁明快，已显出作者缺乏初期写作的生气，甚至染上了仿效者的娇揉做作，儿子派屈立克在介绍文中也说，他并不将此书视为父亲的「杰作」。「曙光示真」的书名则出自海明威对非洲的了解。他在文稿中有言∶

「在非洲，曙光初现的片刻，万物皆真，到了中午则化为错觉。」

我对青年读者的忠告是∶你如对文学大师海明威确有兴趣，请多读他的初期杰作∶「太阳照常升起」，「永别了，武器」，「丧钟为谁而鸣」，甚至「老人与海」，他的遗作难免令人失望。「曙光示真」虽是最新出版，并且有大量广告宣传，但却不一定值每本二十六美元。

❾ 海明威的写作特点

1、海明威有着出色的语言驾驭能力，他常以最简单的词汇表达最复杂的内容，用基本词汇、简短句式等表达具体含义，用名词、动词来揭示事物的本来面目，丝毫无矫揉造作之感。

2、海明威用高度清晰的视觉化语言，将视觉、嗅觉、听觉等感官印象付诸语言，写出了事物的形状、颜色、味道等，以直接的物象表现宇宙与生命。

3、海明威有自己特殊的艺术风格，他强调写作的客观性与主题思想的隐晦含蓄，反对作者直接出场对人物进行评说与暗示，他常用含蓄的语言表达复杂的情感，用有限的形式表达无尽的内涵，因而，他的小说在外观不动声色，但内在情感却是丰厚炽热。

4、从叙事的方式来看，海明威的小说的对话是“展示”，而不是“讲述”。它是属于柏拉图所区分的“完美模仿”的一种，而不是“纯叙事”的那种，它想造成一种程度不同的“模仿错觉”，就是“诗人竭力造成不是他本人在说话”，而是某一个人物在说话的假象。

5、从男女关系的主题去分析海明威，不难看出，尽管热衷于描写男人的野性与英勇，海明威却间接表现了他对女人的恐惧与憎恨。

(9)海明威写作特色英语扩展阅读：

人物影响

海明威被誉为美利坚民族的精神丰碑，并且是“新闻体”小说的创始人，他的笔锋一向以“文坛硬汉”著称。

海明威的生平和文学生涯从一开始就争议不断。无论海明威是作为一位传奇式人物，还是作为一位作家，他以其独特的艺术风格和高超的写作技巧创造了一种简洁流畅、清新洗练的文体，净化了一代的传统文风，在欧美文学界产生了巨大的影响。

二十世纪的最后一位文化英雄海明威是蜚声世界文坛的美国现代小说家，他在62年的生涯中，写下了《太阳照常升起》、《永别了，武器》、《丧钟为谁而鸣》、《老人与海》等作品，曾以“迷惘的一代”的代表著称。