Ⅰ 求关于动漫的英语文章
阎魔爱
故事的主人公.平时不显眼的少女,不过,变成地狱少女后,能让对方下地狱.平时主要穿着水手服,变成地狱少女时穿着和服.
一目连
以前是一把名剑。藏在脑袋里的那只眼睛,论什么地方都可以看到.且施加命令来收集情报.原来是一把刀，一把沾染了无数鲜血的刀，后来不知道为什么去了地狱（好像是为一个美女……），最后在地狱被阎魔爱收留.(详见地狱少女二笼第17集)他的另一个姿态是个蓝色的稻草人偶.
骨女
生前是名妓，真正的身份是块骸骨,经常以美女的姿态存在于世上.自己的色气可以轻易诱惑男性.然后施加命令.此外经常变装出入于各种各样的场所.她本是一药商家的女仆，被少爷卖到妓院。当她计划好要逃出妓院时，被自己的好姐妹清出卖，扔到水里淹死了，但因为她死不瞑目，成了女鬼——骨女.(详见地狱少女二笼的21集)她的另一个姿态就是变成红色稻草人.
轮入道
经常以老爷爷的姿态存在,真正的身份是一只车轮形状妖怪.常在空中做为阎魔爱的交通工具使用.他原来是马车的车轮，运送一位公主，半路被劫，他着了火，跌下悬崖，从此成为着火的车轮的样子的怪物吓人，直到遇见阎魔爱，才一直跟随阎魔爱。他的姿态就是黑色稻草人偶。（详见地狱少女二笼第19集）
故事简介
在都市的小孩子中，有着这样一个传言：只有在0点时才会收到的地狱通信。在这里如果有写下无法发泄的怨恨 地狱少女就会出现让你怨恨的人下地狱……这个传言其实全都是真的。写给地狱通信的信件都会传达给一个少女，她的名字叫“阎魔爱”。但是，这里有传说中未曾提到的，与少女的契约。虽然平时是个又老实又乖巧的女孩子，一旦与信中的感情共鸣。她就会变身为地狱少女。[害人终害己。当对方下地狱的同时，你死后你的灵魂也会随之下地狱，即使这样你也愿意吗?]
Yan Mo loves the story leading character. Usually not conspicuous young girl, but, after turning the hell young girl, can let opposite party go to hell. Usually is mainly putting on the sailor suit, turns when the hell young girl is putting on the kimono. An item of company before is a famous sword. Tibet's in head that eye, may see by any place. And exerts the order to collect the information. Originally is a knife, has contaminated the innumerable blood's knife, afterward did not know why has gone to the hell (is probably is a beautiful woman ......), gives shelter to finally in the hell by Yan Moai. (for details sees the hell young girl two cage 17th volume) his another posture is the blue color scarecrow partner. Before the bone female student, is the famous prostitute, the true status is the block skeleton, exists frequently by beautiful woman's posture in the world. Own color gas may entice the male easily. Then exerts the order. In addition changes frequently ships out into various places. She originally is a medicine business's female servant, is sold the brothel by the young master. When she plans good must escape the brothel, by own good sisters clear is betrayed, throws in the water to be drown to death, but because she dies with injustice unredressed, has become the demoness - - bone female. (for details sees hell young girl two cage's 21 volumes) her another posture turns the red scarecrow. The wheel becomes a lay priest frequently by grandfather's posture existence, the true status is a wheel shape monster. Often in airborne makes the transportation vehicle use which loves for Yan Mo. He is horse-drawn vehicle's wheel originally, ships a princess, the halfway is robbed, he caught fire, falls down the cliff, henceforth becomes wheel's appearance monster which catches fire to be scary, until meets Yan Mo the love, only then has followed Yan Moai. His posture is the black scarecrow partner. (for details sees the hell young girl two cage 19th volume) the story synopsis in the metropolis child, has this kind of rumor: When 0 spots only will then receive hell correspondence. In here the human who, if will have will write down is unable the hate hell young girl who gives vent to appear lets you hate to go to hell ......This rumor is actually real. Writes can transmit to the hell correspondence letter for a young girl, her name is called “Yan Moai”. But, here has in the fable not to mention that with young girl's contract. Although usually is also honest the clever girl, once and in letter sentimental sympathetic chord. She will change the body for the hell young girl. [injures someone causes self infliction finally. When opposite party goes to hell at the same time, after you died, your soul also along with under hell, even if you also will want like this?]
Ⅱ 有关动漫的英语作文
我心目中的好老师就是教我们语文的沈老师。
沈老师大约四十岁左右，个子不高，有点瘦，笑起来很和蔼。沈老师眼睛虽然有点小，可是上课时可威严了，眼睛一瞪，谁见了都怕，都会立即坐好，认真听课。他笑起来眯成一条线，好像瘦了身的机器猫，可好玩了。
沈老师的课谁都喜欢听，因为他讲话很幽默，思维也比较活跃，这也是我们喜欢他的一个原因。记得三年级时，沈老师还不是班主任，只教我们数学和写字。有一次上写字课，这节课要写好多生字和词组，我们写呀写，终于写到了最后一个“龟”字，沈老师慢悠悠的说：“就剩一个‘龟’了，龟孙子的‘龟’了”。我们都“哈哈”大笑起来，沈老师又正儿八经的说：“龟孙子在现在是骂人的话，大家可不能乱说哦！”。那滑稽的表情和动作，现在想想都能让人捧腹大笑。
俗话说得好：“严师出高徒”。沈老师也是很严厉的。早晨，一进教室，总能看到沈老师站在教室门口一丝不苟地抽查背书，不会背的同学就再站在门外读。上课铃响了还不会背的话，下课也要去办公室读，读到了会背才放过。又一次，沈老师来发订正的本子，发到最后，沈老师说：“有一个人竟然作业一个字没写就交上来了！是谁？自己站起来！”。有一位同学战战兢兢地站了起来，“放学留下来！”。沈老师把话拉得长长的，教室里的人一声都不敢吭。直到打扫教室卫生的人都走光了，那位同学才从办公室里出来，他肯定是经受了沈老师苦口婆心地教育。
沈老师对同学们都很关心。如果有人受伤，摔跤，他都会给他们擦红药水，伤得重的还会亲自送到医院，然后给我们上一堂“安全课”。沈老师布置作业也不太多，也尊重我们的建议，思维也比较开放。记得上一二年级时，内容很简单，几下就可以讲完了，剩下时间，就经常给我们讲故事。平常沈老师会把数学活动课当成数学上，班会课当成语文课。数学活动课的时候，沈老师带我们外出实践，比如统计我们的身高、体重、年龄等；班会课时候，就讨论班上的事，比如选班委、班干部、小组长等。
这就是我最喜爱的老师：沈老师。他幽默、风趣、好笑、严厉，深受我们喜爱！
【篇二：我心目中的好老师】
往事都随波而去了，可您却牢牢地扎在我记忆的海滩上，成为最闪亮的贝壳。
朗诵·掌声
初识您，您让我们朗读《纸船》，个人练习后抽测，您指向了我们小组，我本以为是美丽优秀的组长，可您却悄悄地踱步到我的身边，轻轻地拍拍我：“没关系，别紧张。”我心中的大石头稍稍落地了，双手紧紧地抓住书角，投入的朗读着，身体也摇晃起来。声音时而迟缓，时而高昂，我完全地投入了，自己也被震撼了。朗诵完毕后，同学们都投来了惊讶的目光，您睁开眼睛，嘴角漾起笑容，教师内经久不息的掌声更是让我感动不已，眼睛里的泪花是我对你的感激。以后，那微笑时时在我眼前浮现，那掌声时时在我耳边响起……
那是一个阴天，我望着满是“叉烧”的试卷，心中满是失望，唉……我把脸贴在桌上，盯着试卷上的错题，进行“革命后的反思”，却还是一无所获。您把我喊进办公室，我站在门口，“报告”迟迟喊不出口。您笑了：“傻丫头，又发愣了，快进来！”我木讷地走到你身边，心中默念着：“一定是暴风雨的前奏，呆会儿指不定有多少激动呢！您接过试卷，一题题的仔细分析给我听，我这才茅塞顿开。我转身想走，您说了一句让我至今记忆犹新的话：”多希望你长到后成为作家，让我自豪！“也许您对许多学生说过了，但我还是颇为感动：老师这么着重我，我要更努力！我走出办公室，身心却更轻松了！
分离·信任
因为某种原因，我要在下学期转学。分别时，您忙碌地发着寒假作业，我就坐在位置上，看您忙碌着，我看看成绩单上的签名，在心里默默念着您的名字：春涛，春涛，……您不就是春日里的碧波，滋润着我这颗草。这些日子来，您对我的帮助让我感动不已。可我却……我迟迟不想说“再见”或“永别”。果然，进入了新的环境，我适应不了，成绩也有所下滑。我用短讯向您“倒苦水”，您不就就回了信：“老师相信你的实力，做好你自己！”我望着注满关爱的两行字，心中再次溢满感激。您对我的信任再次让我在学习到路上勇往直前！
亲爱的老师，您现在还好吗？您的笑容，您的鼓励，您的信任。都深深的雕刻在我的心里。因为您的存在，在记忆的长河里多了一份清澈与香醇，因为您是我心目中的好老师！
Ⅲ 日本动漫的英语短文
既然事情紧急，那就直接粘贴了（当然，翻译是手工完成的）
如果不够，可以继续追加：
1。GEASS的说明文：
Geass (ギアス, giasu?), also referred to as the Power of Kings (王の力, ō no Chikara?), is a mysterious ability which certain people can bestow upon others (the word itself potentially being an intentional corruption of geas or geis, a type of magical contract in Irish mythology). According to an English edition of Newtype, the power of Geass has something to do with the very existence of humankind and it may be used to destroy or transform just about anything. It is represented by a bird-shaped symbol which glows red when active.
GEASS又被称为“王之力”，是一种可以在人之间建立授受关系的神秘力量（这个词本身就暗示geas/geis，一种爱尔兰神话中的神秘契约）。根据英文版《Newtype》的说法，GEASS牵涉到人性本质的存在，并且可以用来破坏或者转化任何事物。它的表象是一鸟形符号，活动时泛起赤色光芒。
A Geass is set as a contract between an immortal and a human who receives a unique power. It manifests in one eye, and with continued use increases in power, eventually becoming uncontrollable and spreading to both eyes. When a Geass is at full power, a person can then become a recipient of the immortal's "Code", that which grants them their power. This new immortal receives the Geass mark somewhere on their body, immunity to Geass, and the ability to make their own contracts with others, while the giver is allowed to die (perpetuating an endless cycle). This process is not necessarily consensual, as C.C. received her Code and V.V. had his taken away against their wills.
GEASS是永生者与拥有特殊力量的人类之间的一种契约。它显明于二目之一，随着使用的进程而愈发强大，最终失控而占据双眼。当此力量满盈之时，持有者成为契约者的“CODE”，并被赋予力量。这位新生的永生者在实体上获取GEASS标记，并产生免疫，同时获得转授契约的权利，并被允许死亡（依此无限循环）。这一进程不要求双方同意，例如C.C将CODE收纳的同时，V.V在违背对方意愿的情况下将其去除。
Every Geass power has its own unique set of both abilities and limitations (for example, Lelouch's power can only be used once on a given person), allowing for their defeat or victory by someone who is aware of its characteristics. Further understanding of the power of Geass even leads to the development of a device that can undo its effects. All Geass abilities that have thus far appeared within canon of the television series have been related to the mind, influencing things such as emotion, perception, and memory.
Ⅳ 求有关动漫的英语文章。
动画设计中对2D方面的色彩研究
内容摘要：近些年来,我国的动画片色彩设计有了长足的进步,表现在创作者能够吸收和借鉴各种创作元素，比如电影中的色彩元素，国画中的色彩元素，民间皮影、剪纸中的色彩元素等，而且我国的动画创作者还能大胆学习国外先进的色彩设计经验，移植国外成熟的创作模本，来为我国的动画创作服务。但是，我国动画片色彩设计走向成熟与辉煌的路还很遥远,我们必须实实在在地去应对、解决一系列问题,调整与完善现有条件的内部结构,充分利用已有资源,并且在学习与反思中发现新的运作思维模式,从而开拓出一片更为广阔、自由的市场空间。
关键词：动画片 色彩 人物造型 艺术
Abstract
In recent years, the cartoon color design of China has made great progress, in which the creators could absorb and draw from all kinds of other creating elements, such as the color elements of the films, the Chinese paintings, the shadow plays and paper cut. And our creators also study from advancing foreign experience of the color design and transplant the mature creating models to serve our own cartoon creating. But as we all know ,there is still much things to do for us to make the cartoon color design mature and glorious. We must deal with it carefully, solve all kinds of problems ,adjust and perfect the inner structure under present conditions. We shall make full use of what we possess and find new thinking methods by learning and self-examination. By these means can we open up broader and freer market space.
Key words: cartoon， color， character shape， art
Ⅳ 英语阅读理解题（卡通文章），求高人指点！
8.B
9.A
我是这么理解的，第八题A选项，帮助另一个男同学，这确实是一个帮助的过程，但是不是重点，所以排除。C选项是trick another boy 欺骗另外一个男孩子，很明显不是这样的，你看第9道题，题干中说的是think it is a trick question.也就是说Ginger是真的认为这是一道陷阱题，没有要欺骗同学的意思。所以C选项排除。D选项，laugh about fool answers 那当然这个回答很愚蠢，但是重点也不是我们要嘲笑这个答案38多好笑，而是Ginger他的行为，整个和后座一起作弊的故事很好玩，体现了这孩子很可爱很好笑。所以选择B
第九题，那我们已经排除了是Ginger知道答案，故意不告诉后面的男生。然后看A Ginger is wrong,没错，而且 他还没懂这道题，因为问的是首都，他理解成陷阱题，所以我认为他不仅答案错了，他还没懂这道题。然后看B，他猜了一个答案，并且想要炫耀。错在这个答案并不是猜的，是Ginger经过自己严密的推理认定这是陷阱题之后很自信的给出的答案。他确实在炫耀，但是这个答案不是他猜的，他是有理由的。所以B和D都排除了，然后看C，不理解问题，这也错了，因为他不但理解了，他还理解成陷阱题了。
以上是我自己的想法。对于这种题目考试的时候怎么办，我相信考试这种题目是不多的，所以认真看过漫画之后呢，要一个一个选项的去推理，就用最简单的思想，不要去深想不要猜测，感觉有问题的选项马上划掉，排除法选出正确答案。如果时间不够，其实最好跳过这一大题，因为这很耗时间准确率也会比较低，所以先把别的有把握的分数拿到手之后，安安心心回来做题。来不及了就随便写两个一样的答案，选择题还是有可能猜对的。
~~~~~~~~~~~~~~~~~~~~~~~欢迎追问！望采纳！
Ⅵ 求有关动漫的英语文章！
我最喜欢的卡通(My favourite cartoon)【内容简单，就是给演讲写的】
Hi everyone,today I will talk about my favourite cartoon .His name is Doraemon ．He was born on September the third ,2112.But he got the modern world by magic machine .Now he is living in a boy's home and making friends with the boy called Daxiong .The boy always meets problems .But Doraemon will help him in time .With the help of Doraemon.The boy can come over the difficult things well .But sometimes , Doraemon makes the things worse . Doraemon loves Dousha Cake very much and he will hide away when he sees the mouse ,so he hates the mouse very much .When he won't eat his favourite food , he will became very angry .
I like Doraemon very much .Because he is very lovely and he always makes me happy .
Ⅶ 英语50词小短文关于动漫的
I like watching Pleasant Goat and Big Big Wolf.It is an interesting cartoon.It tells us a story about goats and wolfs on the grassland.Big Big Wolf wants to eat goats,but Pleasant is so smart and he can run fast,so Big Big Wolf never wins him.Also,Pleasant has many friends,they always help each other.In the end,the goats live happily together.
Ⅷ 有关动漫的英语小短文
My favourite cartoon
My favourite cartoon is 《Crayon Shin-chan》（蜡笔小新）。《Crayon Shin-chan》is a very interesting and funny cartoon。 But 《Crayon Shin-chan》’s writer died
a few days ago。When I heard this new ，I was very sad，because I like 《Crayon Shin-chan》very much。I cannot accept the truth．I was so sad that l don’t want to eat．I cried in the evening．But the wind and rain rainbow，I beliveI will still support the Crayon Shinchan．
Ⅸ 谁能用英语写一篇关于动漫的文章
One of the most obvious anime "trends" that was established in this time period was the appearance of "mecha" in anime. Mecha, short for "mechanical", is the term used to describe the giant robots and machines that are typical of some anime shown today. Mecha anime has become somewhat of a sub-genre of anime itself and is one of its most common vanguards, and its roots date back to the 1970's.
One of the earliest "mecha" types of anime was "Mazinger Z", a creation of artist Go Nagai, who would go on to influence another trend in anime in later years. The story revolved around an evil mad scientist, Dr. Hell, who had found lost robotic technology and used it to build robots of destruction. To counter this, a rival scientist created Mazinger Z, a robot with a plethora of weapons and abilities. Unfortunately, the scientist was killed by the evil Dr. Hell, but not before the scientist's grandson was warned, enabling him to find and pilot the large Mazinger machine. Mazinger Z went on to spawn many episodes and feature films and was one of the most successful of mecha animes. It seemed that giant robot battles were things that drew in viewers in Japan, which explains the later success of live-action series such as Ultraman.
Another convention that began to be used in anime in the 70's was a tweaking of the conventional plot aspects that had become ingrained in anime at its inception a decade or so ago. Aside from the regular "good guy" vs. "bad guy" concept, subtle variations in storyline and character perception began to appear. The anime "Lupin Sansei" or "Lupin III" focused on a main "good guy" character with rather unscrupulous qualities (he was a master thief). The misadventures of Lupin were among some of the more prominent series ring this time. "Devilman" was another anime with an "anti-hero", in that it involved a main character who possessed a demon in order to defeat other demons. These series and more would guarantee more "unconventionality" in anime, and an expansion of its characterization formulae.
Mecha and unique characterization would come together, however, in a drama/action series that was to become one of the most acclaimed anime series of all time. "Mobile Suit Gundam", first appearing in 1979, involved a war between Earth and its first space colonies, using mechanical piloted robot "suits" for warfare. These "Gundam" mechas were among one of the most loved among viewers at the time and a healthy merchandising market of models served to bolster the series' popularity. In addition to the heart-stopping battles, the thematics of war were introced into the series. War was not without consequences, and the situations and thoughts of the characters in the series captivated audienes as much as the action did. With the success of the Gundam series, the anime movement was prepared to explode onto the Japanese (and international) scene - and it did.
80-90年代
As the 80's came and went on, Anime began to kick into high gear. By this time, the Japanese animation medium was a national mainstay and an international cult fan favorite (known as "Japanimation"). Though the few anime series that did make it onto international shores were either very vaguely known, such as Speed Racer, or horrendously cut for public consumption, such as Robotech (made from bits and pieces of three original related mecha series in Japan, with drastic changes in storyline), the medium continued its rise.
Continuing with Tezuka's fundamental trend in telling stories as well as following the drama that was seen in such series as Mobile Suit Gundam, acclaimed manga artist Rumiko Takahashi was (and still is) one of the most prominent figures ring this time period. Having first become known for her comedy work "Lum: Urusei Yatsura" ("Those Obnoxious Aliens"), which was extremely popular, Takahashi dabbled in the romantic and comedy fields, drawing and animating some of the best-known anime series of all time. "Ranma 1/2", which concentrated on a main character with the ability to change gender via hot and cold water, is still popular and is still being released today by Viz Video and ran for over 100 episodes. And today, Takahashi is adding a feather of horror to her already plentiful plume, with "Inu-Yasha" - a story containing romantic, horror, and comedy elements. The story centers around a girl who finds a well that goes back in time to ancient mythological Japan, where she teams up with a half-demon in order to save the world.
As Takahashi and others continued to develop anime's storytelling, Go Nagai, creator of Mazinger Z, and others in his vein worked to develop an aspect of anime that had until now had seen minimal exposure in some of Tezuka's manga works - that of anime for alts. Breaking from the concept that animation was supposed to be only for kids, Nagai created series such as "Cutey Honey", featuring a rather well-endowed female lead who could change appearance into any number of sective roles, and "Kekko Kamen", a hilarious satire on superhero animations that featured, of all things, a naked superheroine. This and other "alt anime" have been said by some to be a blessing and a curse - while it does add another dimension to the medium, it also fuels one of anime's greatest stereotypes of being nothing more than "animated pornography". Regardless, Nagai's work helped to expose the anime medium to even more types of fans.
The number of well-known anime series had doubled, if not tripled, from the early 70's, as companies like Shogakukan/Kitty Films and Pioneer joined the already-established Toei Animation and Tezuka Proctions. But the final establishment of anime's national and international presence was yet to come. Two milestones in the history of anime were created ring this already booming time period. The first of these was "Akira" released in 1988 to worldwide acclaim. Set in apocalyptic Tokyo, the film featured a motorcycle gang that faces internal strife after their discovery of a child with psychic abilities. Ultimately this struggle has more to it than meets the eye as the military, government scientists, and resistance movements become involved. With its incredible, somewhat gory animation, action, and gripping storyline, Akira became one of the best-known anime feature films not only in Japan, but all over the world, and is one that some anime fans will say got them into the genre in the first place.
1995 brought with it the second milestone in anime - Masamune Shirow's "Ghost in the Shell", another feature film set in a cyberpunk-like era. In this age, humans are enhanced with cybernetic parts and have mastered the ability to travel through an internet-like sea of information, another realm that exists beyond the human one. Thrown into this is agent Motoko Kusanagi, ordered to stop a mysterious being that is able to travel the virtual world without a body, hacking into and destroying anything and anyone who tries to stop it. However, her connection with the mysterious entity known only as "Puppet Master" may change her forever. Released worldwide, Ghost in the Shell received as much, if not more, acclaim than its predesscessor Akira and helped to solidify Japanese anime as the ultimate alternative medium to conventional animation. By this time, a healthy fan base had grown even on international shores where Disney and the Looney Tunes were the norm. Anime had finally returned to stand with its roots.
最近的:
Today, anime is alive and well, but also continuing to evolve and grow. In Japan, new series are shown on TV networks every day, with seemingly no end in sight, and well-established studios such as Toei still stand among newer animation studios to create new and exciting anime series. Though in 2001, an economical recession seems to have hit Japan, the anime medium is chugging along nicely, at least from an international point of view. The continued release of anime in Japan ensures its life even in the face of economic hardship.
Internationally, and especially in the West, the anime movement has grown to new heights at the start of the 21st century. Companies such as Bandai Entertainment, Viz Video, ADV Films, and Pioneer have become larger and more profitable than in previous years, able to release many popular series from Japan in both VHS and the new DVD format. An increasing fan base and plenty of future appealing releases has legitimized the existence of these tireless indivials who work to bring Japanese animation to other shores, in original Japanese and bbed formats. The internet boom has also served to fuel awareness of anime, with sites like our own AnimeInfo.org and others helping to inform and cultivate interest in the medium, and others like Rightstuf.com and Animenation.com serving as vendors for anime-related merchandise. Anime conventions in the USA, such as the West Coast's Anime Expo, Midwest's Anime Central, and East Coast's Otakon have also been a factor in brining together anime fans of all ages in appreciation of the near 50 year old medium.
In the general public eye, anime is still making progress as a properly recognized medium. Though stereotypes and misrepresentations (as well as fair and objective stories) are still present in the mainstream media, the recognition of anime has still made progress from its roots in the 70's and even from the boom of the 80's and 90's. Akira, the 1988 cult hit, is being remastered for release worldwide and should be out very soon. Recent animated feature films "Perfect Blue" and "Princess Mononoke" have piqued the curiosity of many people not very familiar with anime (and in the case of "Princess Mononoke", mainstream actors were even cast as English b voices). And Cartoon Network's Toonami, while criticized by some anime fans for broadcasting heavily edited and watered down anime series, has nevertheless served as a huge influence in the past year or so to bring in new anime fans, with its broadcasts of the "Tenchi Muyo" series, "Dragonball Z", "Gundam Wing", and "The Big O", among others.
With these and many more factors in place, the outlook looks very good for anime as it works to stay a fresh and exciting medium for many fans both nationally and internationally. The history of anime is a very progressive one, showing a medium that has changed and evolved so much over the years. The future, perhaps, may bring us to even more changes to benefit Japanese animation and its many fans.
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The legendary ' one piece ', D Roger say he died before leaving with wealth, fame, power of the world first. " ONE PIECE ", many people in order to compete for the " ONE PIECE ", to the sea, many pirates began to establish hegemony, and formed "the era of pirates ". Ten years later, the show D the road to fly in order to achieve and save him because of the four Queen ' Red ' shanks agreement and sea, in the distant on the road to find a like-minded partner, went into the "great waterway ", target: when the " one piece ".
传说中‘海贼王’哥尔··罗杰在死前说出他留下了具有财富、名声、力量世界第一的宝藏“ONE PIECE”，许多人为了争夺“ONE PIECE”，争相出海，许多海贼开始树立霸权，而形成了“大海贼时代”。十年后，蒙其·D·路飞为了要实现与因救他而断臂的四皇‘红发’香克斯的约定而出海，在遥远的路途上找寻着志同道合的伙伴，一起进入“伟大航道”，目标：当上“海贼王”。