英語選修六第一單元課文語法

❶ 英語選修六第四,五單元reading1的課文

Unit 4
THE EARTH IS BECOMIG WARMER-BUT DOES IT MATTER?
During the 20th century the temperature of the earth ros
e about one degree Fahrenheit. That probably does not seem much to you or me, but it is a rapid increase when compared to other natural changes. So how has this come about and does it matter? Earth care's Sophie Armstrong explores these questions.
There is no doubt that the earth is becoming warmer(see Graph 1) and that it is human activity that has caused this global warmig rather than a random but natural phenomenon.
All scientists subscribe to the view that the increase in the earth's temperature is e to the burning of fossil fuels like coal, natural gas and oil to proce energy. Some byprocts of this process are called "greenhouse" gases, the most important one of which is carbon dioxide. Dr Janice Foster explains: "There is a natural phenomenon that scientists call the "greenhouse effect".This is when small amounts of gases in the atmosphere, like carbon dioxide, methane and water vapour, trap heat from the sun and therefore warm the earth. Without the'greenhouse effect
the earth would be about thirty-three degrees Celsciu cooler than it is. So, we need those gases. The problem begins when we add huge quantities of extra carbon dioxide into the atmosphere. It means that more heat energy tends to be trapped in the atmosphere causing the global temperature to go up.
We know that the levels of carbon dioxide have increased greatly over the last 100 to 150 years. It was a scientist called Charles Keeling, who made accurate measurements of the amount of carbon dioxide in the atmosphere from 1957 to 1997. He found that between these years the carbon dioxide in the atmosphere went up from around 315 parts to around 370 parts per million(see Graph 2)
All scientists accept this data. They also agree that it is the burning of more and more fossil fuels that has resulted in this increase in carbon dioxide. So how high will the temperature increase go? Dr Janice Foster says that over the next 100 years the amount of warming could be as low as 1 to 1.5 degrees Celsius, but it could be as high as 5 degrees.
However, the attitude of scientists towards this rise in completely different. On the one hand, Dr Foster thinks that the trend which increases the temperature by 5 degrees would be a catastrophe. She says, " We can't predict the climate well enough to know what to expect, but it could be very serious." Others who agree with her think there may be a rise of several metres in the sea level, or predict severe storms, floods, droughts, famines, the spread of diseases and the disappearance of species. On the other hand, there are those, like George Hambley, who are opposed to this view, believe that we should not worry about high levels of carbon dioxide in the air. They predict that any warming will be mild with few bad environmental consequences. In fact, Hambley states, "More carbon dioxide is actually a positive thing. It will make plants grow quicker; crops will proce more; it will encourage a greater range of animals-all of which will make life for human beings better."
Greenhouse gases continue to build up in the atmosphere. Even if we start recing the amount of carbon dioxide and other greenhouse gases, the climate is going to keep on warming for decades or centuries. No one knows the effects of global warming. Does that mean we should do nothing? Or, are the risks too great?

Unit 5
EXCITING JOB
I have the greatest job in the world. I travel to unusual places and work alongside people from all over the world. Sometimes working outdoors, sometimes in an office, sometimes using scientific equipment and sometimes meeting local people and tourists, I am never bored. Although my job is occasionally dangerous, I don't mind because danger excites me and makes me feel alive. However, the most important thing about my job is that I help protect ordinary people from one of the most powerful forces n earth-the volcano.
I was appointed as volcanologist information for a database about Mount Kilauea, which is one of the most active volcanoes in Hawaii. Having collected and evaluated the information, I help other scientists to predict where lava from the volcano will flow next and how fast. Our work has saved man lives because people in the path of the lava can be warned to leave their houses. Unfortunately, we cannot move their homes out of the way, and many houses have been covered with lava or burned to the ground.
When boiling rock erupts from a volcano and crashes back to earth, it causes less damage than you might imagine. This is because no one lives near the top of Mount Kilauea, where the rocks fall. The lava that flows slowly like a wave down the mountain causes far more damage because it buries everything in its path under the molten rock. However, the eruption itself is really exciting to watch and I shall never forget my first sight of one. It was in the second week after I arrived in Hawaii. Having worked hard all day, I went to bed early. I was fast asleep when suddenly my bed began shaking and I heard a strange sound, like a railway train passing my window. Having experienced quite a few earthquakes in Hawaii already, I didn't take much notice. I was about to go back to sleep when suddenly my bedroom became as bright as day. I ran out of the house into the back garden where I could see Mount Kilauea in the distance. There had been an eruption from the side of the mountain and red hot lava was fountaining hundreds of metres into the air. It was an absolutely fantastic sight.
The day after this eruption I was lucky enough to have a much closer look at it. Two other scientists and I were driven up the mountain and dropped as close as possible to the crater that had been formed ing the eruption. Having earlier collected special clothes from the observatory, we put them on before we went any closer. All three of us looked like spacemen. We had white protective suits that covered our whole body, helmets,big boots and special gloves. It was not easy to walk in these suits, but we slowly made our way to the edge of the crater and looked down into the red, boiling centre. The other two climbed down into the crater to collect some lava for later study, but this being my first experience, I stayed at the top and watched them.
Today, I am just as enthusiastic about my job as the day I first started. Having studied volcanoes now for many years, I am still amazed their beauty as well as their potential to cause great damage.

❷ 高二英語選修6課文A SHORT HISTORY OF WESTERN PAINTING的翻譯

西方繪畫藝術簡史

藝術是受著人民生活習俗和信仰的影響的，西方的藝術風格經歷了多次變革，由於西方的藝術風格多種多樣，在短短的一篇課文里不可能進行全面的描述。

因此，在中世紀，畫家的主要任務是提出宗教主題。傳統藝術家無意忠實地呈現自然和人物。

那個時期的典型繪畫充滿了宗教特徵，表現了對上帝的愛和尊重。但顯然到了13世紀，觀念發生了變化，像喬托這樣的畫家開始以更現實的風格描繪宗教場景。

印象派時期（19世紀後期到20世紀初期）

19世紀後期，歐洲發生了巨大的變化，從農業社會到工業社會，許多人從農村搬到新城市，有許多新的發明，許多社會變化，這自然導致了新的繪畫風格。

在傳統寫意畫家在巴黎生活和工作的突破中，法國印象派畫家、印象派畫家是第一位戶外風景畫家之一，他們渴望將一天中不同的時間投射到光影的對象上，但由於自然光的快速變化，印象派畫家必須迅速。

因此，他們的畫沒有老畫家的畫好；他們說畫家畫得漫不經心，漫不經心，他們的作品很可笑。起初，許多人不喜歡這幅畫，甚至生氣。

在印象派作品的創建初期，他們是有爭議的，但現在已經被接受為我們所稱的「現代藝術」的父親，這是因為印象派鼓勵藝術家對他們的環境有一個新的視角，現在，有幾十種現代藝術風格，但沒有印象派，那麼在許多不同的風格中是不可能的。

一方面，有些現代藝術是抽象的；也就是說，畫家不打算畫我們的眼睛忠實地看到事物，而是展示物體的一些質量特徵，用顏色、線條和形狀來渲染它們，另一方面，一些現代藝術作品是如此逼真，看起來像一張照片。

(2)英語選修六第一單元課文語法擴展閱讀：

英譯中的技巧

1、高屋建瓴「攬全局」

主要是指翻譯首先要區分英語主語和從句，通常先處理插入成分或從句，然後再處理主句。以戰略和宏觀的方式處理英語細節，而不是一次只處理一個單詞。寫作需要注意漢語獨特的節奏，不能拖和拖，要遵循漢語語境，從遠近到敘事原則來組織寫作。

2、行文提倡「四、六、八」

主要是指英語翻譯中簡潔，流暢，自然的寫作．．言簡意賅的最好方法是用四字，六字或八字句，這在增強寫作張力時也是如此．．四，六，八字句構成同義重復，這是漢語的一大特點．。例如：一個詞流，一個緊張的情況下，箭頭必須發射。

3、中文「形散神不散」

主要是指中文重意合，與英語不同，它使用介詞和連詞來形成句子，漢語邏輯分散在字里行間。在具體的寫作中，作者遵循「以意義組為句子單位」的原則。

❸ 人教版高中英語選修6第一篇課文

選修6 第一單元的全給你了。
選修6 Unit 1 Art-Reading
A SHORT HISTORY OF WESTERN PAINTING

Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones, starting from the sixth century AD.

The Middle Ages (5th to the 15th century AD)

During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artist of this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way.

The Renaissance (15th to 16th century)

During the Renaissance, new ideas and values graallv replaced those held in the Middle Ages.People began to concentrate less on religious themes and adopt a more humanistic attitude to life. At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they could decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements.
One of the most important discoveries ring this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the roles of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence, oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous.

Impressionism (late 19th to early 20th century)

In the late 19th century, Europe changed a great deal. from a mostly agricultural society to a mostly instrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes. Naturally, these changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worked in Paris.
The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angr about it. They said that the painters were careless and their paintings were ridiculous.

Modern Art (20th century to today)

At the time they were created, the Impressionist paintings were controversial, but today they are accepted as the beginning of what we call "modem art". This is because the Impressionists encouraged artists to look at their environment in new ways. There are scores of modern art styles, but without the Impressionists, many of these painting styles might not exist. On the one hand, some modem art is abstract; that is, the painter does not attempt to paint objects as we see them with our eyes, but instead concentrates on certain qualities of the object, using colour, line and shape to represent them. On the other hand, some paintings of modern art are so realistic that they look like photographs. These styles are so different. Who can predict what painting styles there will be in the future?

THE BEST OF MANHATTAN』S ART GALLERIES

The Frick Collection (5th Avenue and E.70th Street)
Many art lovers would rather visit this small art gallery than any other in New York. Henry Clay Frick, a rich New Yorker, died in 1919, leaving his house, furniture and art collection to the American people. Frick had a preference for pre-twentieth century Western paintings, and these are well-represented in this excellent collection. You can also explore Frick's beautiful home and garden which are well worth a Visit.

Guggenheim Museum(5th Avenue and 88th Street)
This museum owns 5,000 superb modern paintings, sculptures and drawings. These art works are not all displayed at the same time. The exhibition is always changing. It will appeal to those who love Impressionist and Post-Impressionist paintings. The Guggenheim Museum building is also world-famous. When you walk into gallery, you feel as if you
were inside a fragile, white seashell. The best way to see the paintings is to start from the top floor and walk down to the bottom. There are no stairs just a circular path. The museum also has an excellent restaurant.

Metropolitan Museum of Art (5th Avenue and 82nd Street)
The reputation of this museum lies in the variety of its art collection. This covers more than 5,000 years of civilization from many parts of the world, including America, Europe, China, Egypt, other African countries and South America. The museum displays more than just the visual delights of art. It introces you to ancient ways of living. You can visit an Egyptian temple, a fragrant Ming garden, a typical room in an 18th century French house and many other special exhibitions.

Museum of Modern Art (53rd Street, between 5th and 6th Avenues)
It is amazing that so many great works of art from the late 19th century to the 21st century are housed in the same museum. The collection of Western art includes paintings by such famous artists as Monet, Van Gogh, Picasso and Matisse. A few words of warning: the admission price is not cheap and the museum is often very crowded.

Whitney Museum of American Art (945 Madison Avenue, near 75th Street)
The Whitney holds an excellent collection of contemporary American painting and sculpture. There are no permanent displays in this museum and exhibitions change all the time. Every two years, the Whitney holds a special exhibition of new art by living artists. The museum also shows videos and films by contemporary video artists.

❹ 外研版英語選修六第一單元課文翻譯。《the aaa》

a short history of western painting翻譯
藝術是受一個民族的風俗和信仰影響。西方藝術風格經歷了多次變革。因為西方藝術多種多樣，在短短的一篇課文里不可能進行全面的描述。因此，本書只談及從公元六世紀開始以來最重要的幾種藝術風格。
中世紀(5到15世紀)
在中世紀時期,畫家的主要目的是把宗教主題表現出來。這一時期傳統的藝術家無意於如實地展現自然和人物。這時的典型繪畫充滿了宗教的特徵，體現出了對上帝的愛戴和敬重。但是，13世紀時繪畫觀念在改變是顯而易見的，像喬托這樣的畫家開始以一種更現實的方式來畫宗教場景。
文藝復興時期（15世紀到16世紀）
在文藝復興時期,新的思想和價值觀逐漸取代了中世紀的思想和價值觀。人們開始較少關注宗教主題而採取一種更人性化的生活態度。同時畫家們回到羅馬、希臘的古典藝術理念上。他們力爭如實畫出人物和自然。富人們想擁有自己的藝術品，這樣就可以裝飾自己的高級宮殿和豪宅。他們出價聘請著名藝術家不僅讓他們畫他們的活動和成就，還要他們畫自己的肖像、房子和所有物。
在此期間，最重要的發現之一就是如何用透視法來畫出事務。這一手法是1428年由馬薩喬第一次使用的。當人們第一次看到他的畫時，還以為是透過牆上的小洞來觀看真實的場景，並對此深信不疑。如果沒有發現透視法，就沒有人能畫出如此逼真的畫。巧合的是，這一時期油畫顏料也得到了發展，使得繪畫的色彩看上去更豐富、更深沉。沒有新的顏料和新的手法，我們就不能看到很多使這一時期著名的傑作。
印象派(19世紀後期到20世紀初期)
19世紀後期，歐洲發生了巨大的變化，從以農業為主的社會轉變成了以工業為主的社會。許多人從農村遷入到新城市。有許多新發明和社會變革。這些變革也自然地促成了新的繪畫風格。在那些突破傳統畫法的畫家中有生活和工作在法國巴黎的印象派畫家。
印象派畫家是第一批室外寫景的畫家。他們急切地想把一天中不同時間投射到物體上的光線和陰影呈現出來。然而由於自然光的變化很快，印象派畫家們必須很快地作畫，因此，他們的畫就不像以前那些畫家們的畫那樣細致了。起初，很多人不喜歡這種畫法，甚至還怒不可遏。他們說這些畫家作畫時漫不經心，粗枝大葉，而他們的作品更是荒謬可笑。
現代藝術(20世紀到今天)
在印象派作品的創建初期，他們是存在著爭議的，但是如今已經被人們接受而成為我們現在所說的「現代藝術」的始祖了。這是因為印象派鼓勵畫家用一種嶄新的視角看待他們的環境。如今，現代藝術風格有好幾十種，然而如果沒有印象派，那麼這許多不同的風格也許就不可能存在。一方面，有些現代藝術是抽象的，也就是說，畫家並不打算把我們眼睛看到的東西如實地畫出來，而是集中展現物體的某些品質特徵，用色彩、線條和形狀把它們呈現出來。而另一方面，有些現代派的藝術作品卻是那麼真實，看上去就像是照片。這些風格如此不同。誰能預言將來會有什麼樣的繪畫風格？

❺ 選修六第一單元課文翻譯

藝術

西方的藝術風格經歷了多次變革，而中國藝術所經歷的變革則比較少。藝術受到人民生活方式和信仰的影響，而中國，和歐洲不同，它的生活方式在很長時期里都是相近的。西方藝術風格多種多樣，在短短的一篇課文里不可能進行全面的描述。因此，本文只談從公元5世紀以來少數幾種主要的藝術風格。

中世紀（公元5世紀到15世紀）

在中世紀，畫家的主要任務是把宗教的主題表現出來。藝術家們無意於如實地展現自然和人物，卻著意體現對上帝的愛戴與敬重，因此，這段時期的繪畫充滿著宗教的信條。到13世紀時，情況已經開始發生變化，像喬托這樣的畫家們開始以一種比較現實的風格來畫宗教場景。

文藝復興時期（15世紀到16世紀）

在文藝復興時期，新的思想和價值觀取代了中世紀的思想和價值觀。人們開始更多地關注人而非宗教。畫家們回到了羅馬、希臘的古典藝術理念上。他們力爭如實地畫出人物和自然。富人們想為自己的宮殿和豪宅收集藝術品，他們高價聘請著名藝術家來為自己畫相，畫自己的房屋和其它財物，以及他們的活動和成就。

在此期間，最重要的發現之一就是如何用透視法來畫出事物。第一個在繪畫中使用透視法的人是馬薩喬，那是在1428年。當人們第一次看到他的畫時，還以為是透過牆上的小洞來觀看真實的場景，並對此深信不疑。如果沒有發現透視法，人們就不可能畫出如此逼真的畫。在文藝復興對期，油畫也得到了發展，它使得色彩看上去更豐富、更深沉。

印象派時期（19世紀後期到20世紀初期）

19世紀後期，歐洲發生了巨大的變化，從以農業為主的社會變成了以工業為主的社會。許多人從農村遷入到新城市。有著許多新發明，還有許多社會變革。這些變革也自然而然地導致了繪畫風格上的變化。在那些突破傳統畫法的畫家中有生活和工作在法國巴黎的印象派畫家。

印象派畫家是第一批室外寫景的藝術家。他們想把一天中不同時間投射到物體上的光線和陰影呈現出來。由於自然光的變化很快，所以印象派畫家們必須很快地作畫，因此，他們的畫就不像以前那些畫家的畫那樣細致了。起初，多數人都討厭這種新式畫法，甚至還怒不可遏。他們說這些畫家作畫時漫不經心、粗枝大葉，而他們的作品更是荒謬可笑。

現代藝術（加世紀至今）

在印象派作品的創建初期，它們是存在著爭議的，但是如今已被人們接受而成為現在所說的"現代藝術"的始祖了。如今，現代藝術風格已經有好幾十種，然而如果沒有印象派，那麼這許多不同的風格就不可能存在。印象派畫家幫助藝術家甩新的方渙來觀察環境與藝術。有些現代藝術養砷象的，《祖就是說,；畫家並不打算把我們眼睛看到的東西如實地畫出來，而是集中展現物體的某些品質特性，用色彩、線條和形狀把它們呈現出來。而另一方面，有些現代派的藝術作品卻是太現實了，它看上去就像是一張照片。預言將來繪畫藝術的風格倒是饒有興趣的一件事。

❻ 英語 選修六課文翻譯 新人教版

藝術

西方的藝術風格經歷了多次變革，而中國藝術所經歷的變革則比較少。藝術受到人民生活方式和信仰的影響，而中國，和歐洲不同，它的生活方式在很長時期里都是相近的。

西方藝術風格多種多樣，在短短的一篇課文里不可能進行全面的描述。因此，本文只談從公元5世紀以來少數幾種主要的藝術風格。

中世紀（公元5世紀到15世紀）

在中世紀，畫家的主要任務是把宗教的主題表現出來。藝術家們無意於如實地展現自然和人物，卻著意體現對上帝的愛戴與敬重，因此，這段時期的繪畫充滿著宗教的信條。到13世紀時，情況已經開始發生變化，像喬托這樣的畫家們開始以一種比較現實的風格來畫宗教場景。

文藝復興時期（15世紀到16世紀）

在文藝復興時期，新的思想和價值觀取代了中世紀的思想和價值觀。人們開始更多地關注人而非宗教。畫家們回到了羅馬、希臘的古典藝術理念上。他們力爭如實地畫出人物和自然。

富人們想為自己的宮殿和豪宅收集藝術品，他們高價聘請著名藝術家來為自己畫相，畫自己的房屋和其它財物，以及他們的活動和成就。

在此期間，最重要的發現之一就是如何用透視法來畫出事物。第一個在繪畫中使用透視法的人是馬薩喬，那是在1428年。當人們第一次看到他的畫時，還以為是透過牆上的小洞來觀看真實的場景，並對此深信不疑。

如果沒有發現透視法，人們就不可能畫出如此逼真的畫。在文藝復興對期，油畫也得到了發展，它使得色彩看上去更豐富、更深沉。

印象派時期（19世紀後期到20世紀初期）

19世紀後期，歐洲發生了巨大的變化，從以農業為主的社會變成了以工業為主的社會。許多人從農村遷入到新城市。有著許多新發明，還有許多社會變革。這些變革也自然而然地導致了繪畫風格上的變化。在那些突破傳統畫法的畫家中有生活和工作在法國巴黎的印象派畫家。

印象派畫家是第一批室外寫景的藝術家。他們想把一天中不同時間投射到物體上的光線和陰影呈現出來。由於自然光的變化很快，所以印象派畫家們必須很快地作畫，因此，他們的畫就不像以前那些畫家的畫那樣細致了。起初，多數人都討厭這種新式畫法，甚至還怒不可遏。

他們說這些畫家作畫時漫不經心、粗枝大葉，而他們的作品更是荒謬可笑。

現代藝術（加世紀至今）

在印象派作品的創建初期，它們是存在著爭議的，但是如今已被人們接受而成為現在所說的"現代藝術"的始祖了。如今，現代藝術風格已經有好幾十種，然而如果沒有印象派，那麼這許多不同的風格就不可能存在。印象派畫家幫助藝術家甩新的方渙來觀察環境與藝術。

有些現代藝術養砷象的，《祖就是說，；畫家並不打算把我們眼睛看到的東西如實地畫出來，而是集中展現物體的某些品質特性，用色彩、線條和形狀把它們呈現出來。而另一方面，有些現代派的藝術作品卻是太現實了，它看上去就像是一張照片。

預言將來繪畫藝術的風格倒是饒有興趣的一件事。

(6)英語選修六第一單元課文語法擴展閱讀：

英語翻譯五大技巧：

第一、轉換句子法。

顧名思義，轉換句子法就是在英譯中，或者中譯英的翻譯題里，為了使將要譯出的句子符合中文/英文裡面的表達習慣、方法和方式等目標，而把題目中原句的語態、所用詞類以及句型等進行處理轉換。

1、在語態上，把主動語態變為被動語態（中譯英），或者把被動語態變為主動語態（英譯中）。

2、在詞性上面，用介詞、形容詞、副詞、名詞等來替換原來的動詞，用動詞、形容詞、代詞來替代名詞，或者用短語、副詞來替代形容詞。

3、在句子成分的方面，用表語、定語、狀語、賓語來替換主語，用表語、主語、定語轉換謂語，或者用主語、狀語轉換定語。

4、在句型上面，可以把簡單句和復雜句互換，復合句痛並列句互換，或將定語從句轉化為狀語從句。

第二、省略翻譯法

這與最開始提到的增譯法相反，就是要求你把不符合漢語，或者英語的表達的方式、思維的習慣或者語言的習慣的部分刪去，以免使所翻譯出的句子沉雜累贅。

第三、合並法

合並翻譯法就是把多個短句子或者簡單句合並到一起，形成一個復合句或者說復雜句，多出現在漢譯英的題目里出現，比如最後會翻譯成定語從句、狀語從句、賓語從句等等。

這是因為漢語句子裡面喜歡所謂的「形散神不散」，即句子結構鬆散，但其中的語意又是緊密相連的，所以為了表達出這種感覺，漢語多用簡單句進行寫作。

而英語則不同，它比較強調形式，結構嚴謹，所以會多用復雜句、長句。因此，漢譯英時還需要注意介詞、連詞、分詞的使用。

第四、拆分法

當然，英譯漢的時候，就要採取完全相反的戰術——拆分法，即把一個長難句細細拆分為一個個小短句、簡單句，並適當補充詞語，是句子通順。最後，注意還需要按照漢語習慣調整語序，達到不僅能看懂而且不拗口的目標。

第五、插入法

就是把不能處理的句子，利用括弧、雙逗號等插入到所翻譯的句子中，不過這種方法多用在筆譯裡面，口譯用的非常少。

❼ 高中英語選修六第一單元課文精講

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