Ⅰ 求關於動漫的英語文章
閻魔愛
故事的主人公.平時不顯眼的少女,不過,變成地獄少女後,能讓對方下地獄.平時主要穿著水手服,變成地獄少女時穿著和服.
一目連
以前是一把名劍。藏在腦袋裡的那隻眼睛,論什麼地方都可以看到.且施加命令來收集情報.原來是一把刀，一把沾染了無數鮮血的刀，後來不知道為什麼去了地獄（好像是為一個美女……），最後在地獄被閻魔愛收留.(詳見地獄少女二籠第17集)他的另一個姿態是個藍色的稻草人偶.
骨女
生前是名妓，真正的身份是塊骸骨,經常以美女的姿態存在於世上.自己的色氣可以輕易誘惑男性.然後施加命令.此外經常變裝出入於各種各樣的場所.她本是一葯商家的女僕，被少爺賣到妓院。當她計劃好要逃出妓院時，被自己的好姐妹清出賣，扔到水裡淹死了，但因為她死不瞑目，成了女鬼——骨女.(詳見地獄少女二籠的21集)她的另一個姿態就是變成紅色稻草人.
輪入道
經常以老爺爺的姿態存在,真正的身份是一隻車輪形狀妖怪.常在空中做為閻魔愛的交通工具使用.他原來是馬車的車輪，運送一位公主，半路被劫，他著了火，跌下懸崖，從此成為著火的車輪的樣子的怪物嚇人，直到遇見閻魔愛，才一直跟隨閻魔愛。他的姿態就是黑色稻草人偶。（詳見地獄少女二籠第19集）
故事簡介
在都市的小孩子中，有著這樣一個傳言：只有在0點時才會收到的地獄通信。在這里如果有寫下無法發泄的怨恨 地獄少女就會出現讓你怨恨的人下地獄……這個傳言其實全都是真的。寫給地獄通信的信件都會傳達給一個少女，她的名字叫「閻魔愛」。但是，這里有傳說中未曾提到的，與少女的契約。雖然平時是個又老實又乖巧的女孩子，一旦與信中的感情共鳴。她就會變身為地獄少女。[害人終害己。當對方下地獄的同時，你死後你的靈魂也會隨之下地獄，即使這樣你也願意嗎?]
Yan Mo loves the story leading character. Usually not conspicuous young girl, but, after turning the hell young girl, can let opposite party go to hell. Usually is mainly putting on the sailor suit, turns when the hell young girl is putting on the kimono. An item of company before is a famous sword. Tibet's in head that eye, may see by any place. And exerts the order to collect the information. Originally is a knife, has contaminated the innumerable blood's knife, afterward did not know why has gone to the hell (is probably is a beautiful woman ......), gives shelter to finally in the hell by Yan Moai. (for details sees the hell young girl two cage 17th volume) his another posture is the blue color scarecrow partner. Before the bone female student, is the famous prostitute, the true status is the block skeleton, exists frequently by beautiful woman's posture in the world. Own color gas may entice the male easily. Then exerts the order. In addition changes frequently ships out into various places. She originally is a medicine business's female servant, is sold the brothel by the young master. When she plans good must escape the brothel, by own good sisters clear is betrayed, throws in the water to be drown to death, but because she dies with injustice unredressed, has become the demoness - - bone female. (for details sees hell young girl two cage's 21 volumes) her another posture turns the red scarecrow. The wheel becomes a lay priest frequently by grandfather's posture existence, the true status is a wheel shape monster. Often in airborne makes the transportation vehicle use which loves for Yan Mo. He is horse-drawn vehicle's wheel originally, ships a princess, the halfway is robbed, he caught fire, falls down the cliff, henceforth becomes wheel's appearance monster which catches fire to be scary, until meets Yan Mo the love, only then has followed Yan Moai. His posture is the black scarecrow partner. (for details sees the hell young girl two cage 19th volume) the story synopsis in the metropolis child, has this kind of rumor: When 0 spots only will then receive hell correspondence. In here the human who, if will have will write down is unable the hate hell young girl who gives vent to appear lets you hate to go to hell ......This rumor is actually real. Writes can transmit to the hell correspondence letter for a young girl, her name is called 「Yan Moai」. But, here has in the fable not to mention that with young girl's contract. Although usually is also honest the clever girl, once and in letter sentimental sympathetic chord. She will change the body for the hell young girl. [injures someone causes self infliction finally. When opposite party goes to hell at the same time, after you died, your soul also along with under hell, even if you also will want like this?]
Ⅱ 有關動漫的英語作文
我心目中的好老師就是教我們語文的沈老師。
沈老師大約四十歲左右，個子不高，有點瘦，笑起來很和藹。沈老師眼睛雖然有點小，可是上課時可威嚴了，眼睛一瞪，誰見了都怕，都會立即坐好，認真聽課。他笑起來眯成一條線，好像瘦了身的機器貓，可好玩了。
沈老師的課誰都喜歡聽，因為他講話很幽默，思維也比較活躍，這也是我們喜歡他的一個原因。記得三年級時，沈老師還不是班主任，只教我們數學和寫字。有一次上寫字課，這節課要寫好多生字和片語，我們寫呀寫，終於寫到了最後一個「龜」字，沈老師慢悠悠的說：「就剩一個『龜』了，龜孫子的『龜』了」。我們都「哈哈」大笑起來，沈老師又正兒八經的說：「龜孫子在現在是罵人的話，大家可不能亂說哦！」。那滑稽的表情和動作，現在想想都能讓人捧腹大笑。
俗話說得好：「嚴師出高徒」。沈老師也是很嚴厲的。早晨，一進教室，總能看到沈老師站在教室門口一絲不苟地抽查背書，不會背的同學就再站在門外讀。上課鈴響了還不會背的話，下課也要去辦公室讀，讀到了會背才放過。又一次，沈老師來發訂正的本子，發到最後，沈老師說：「有一個人竟然作業一個字沒寫就交上來了！是誰？自己站起來！」。有一位同學戰戰兢兢地站了起來，「放學留下來！」。沈老師把話拉得長長的，教室里的人一聲都不敢吭。直到打掃教室衛生的人都走光了，那位同學才從辦公室里出來，他肯定是經受了沈老師苦口婆心地教育。
沈老師對同學們都很關心。如果有人受傷，摔跤，他都會給他們擦紅葯水，傷得重的還會親自送到醫院，然後給我們上一堂「安全課」。沈老師布置作業也不太多，也尊重我們的建議，思維也比較開放。記得上一二年級時，內容很簡單，幾下就可以講完了，剩下時間，就經常給我們講故事。平常沈老師會把數學活動課當成數學上，班會課當成語文課。數學活動課的時候，沈老師帶我們外出實踐，比如統計我們的身高、體重、年齡等；班會課時候，就討論班上的事，比如選班委、班幹部、小組長等。
這就是我最喜愛的老師：沈老師。他幽默、風趣、好笑、嚴厲，深受我們喜愛！
【篇二：我心目中的好老師】
往事都隨波而去了，可您卻牢牢地扎在我記憶的海灘上，成為最閃亮的貝殼。
朗誦·掌聲
初識您，您讓我們朗讀《紙船》，個人練習後抽測，您指向了我們小組，我本以為是美麗優秀的組長，可您卻悄悄地踱步到我的身邊，輕輕地拍拍我：「沒關系，別緊張。」我心中的大石頭稍稍落地了，雙手緊緊地抓住書角，投入的朗讀著，身體也搖晃起來。聲音時而遲緩，時而高昂，我完全地投入了，自己也被震撼了。朗誦完畢後，同學們都投來了驚訝的目光，您睜開眼睛，嘴角漾起笑容，教師內經久不息的掌聲更是讓我感動不已，眼睛裡的淚花是我對你的感激。以後，那微笑時時在我眼前浮現，那掌聲時時在我耳邊響起……
那是一個陰天，我望著滿是「叉燒」的試卷，心中滿是失望，唉……我把臉貼在桌上，盯著試卷上的錯題，進行「革命後的反思」，卻還是一無所獲。您把我喊進辦公室，我站在門口，「報告」遲遲喊不出口。您笑了：「傻丫頭，又發愣了，快進來！」我木訥地走到你身邊，心中默念著：「一定是暴風雨的前奏，呆會兒指不定有多少激動呢！您接過試卷，一題題的仔細分析給我聽，我這才茅塞頓開。我轉身想走，您說了一句讓我至今記憶猶新的話：」多希望你長到後成為作家，讓我自豪！「也許您對許多學生說過了，但我還是頗為感動：老師這么著重我，我要更努力！我走出辦公室，身心卻更輕鬆了！
分離·信任
因為某種原因，我要在下學期轉學。分別時，您忙碌地發著寒假作業，我就坐在位置上，看您忙碌著，我看看成績單上的簽名，在心裡默默念著您的名字：春濤，春濤，……您不就是春日裡的碧波，滋潤著我這顆草。這些日子來，您對我的幫助讓我感動不已。可我卻……我遲遲不想說「再見」或「永別」。果然，進入了新的環境，我適應不了，成績也有所下滑。我用短訊向您「倒苦水」，您不就就回了信：「老師相信你的實力，做好你自己！」我望著注滿關愛的兩行字，心中再次溢滿感激。您對我的信任再次讓我在學習到路上勇往直前！
親愛的老師，您現在還好嗎？您的笑容，您的鼓勵，您的信任。都深深的雕刻在我的心裡。因為您的存在，在記憶的長河裡多了一份清澈與香醇，因為您是我心目中的好老師！
Ⅲ 日本動漫的英語短文
既然事情緊急，那就直接粘貼了（當然，翻譯是手工完成的）
如果不夠，可以繼續追加：
1。GEASS的說明文：
Geass (ギアス, giasu?), also referred to as the Power of Kings (王の力, ō no Chikara?), is a mysterious ability which certain people can bestow upon others (the word itself potentially being an intentional corruption of geas or geis, a type of magical contract in Irish mythology). According to an English edition of Newtype, the power of Geass has something to do with the very existence of humankind and it may be used to destroy or transform just about anything. It is represented by a bird-shaped symbol which glows red when active.
GEASS又被稱為「王之力」，是一種可以在人之間建立授受關系的神秘力量（這個詞本身就暗示geas/geis，一種愛爾蘭神話中的神秘契約）。根據英文版《Newtype》的說法，GEASS牽涉到人性本質的存在，並且可以用來破壞或者轉化任何事物。它的表象是一鳥形符號，活動時泛起赤色光芒。
A Geass is set as a contract between an immortal and a human who receives a unique power. It manifests in one eye, and with continued use increases in power, eventually becoming uncontrollable and spreading to both eyes. When a Geass is at full power, a person can then become a recipient of the immortal's "Code", that which grants them their power. This new immortal receives the Geass mark somewhere on their body, immunity to Geass, and the ability to make their own contracts with others, while the giver is allowed to die (perpetuating an endless cycle). This process is not necessarily consensual, as C.C. received her Code and V.V. had his taken away against their wills.
GEASS是永生者與擁有特殊力量的人類之間的一種契約。它顯明於二目之一，隨著使用的進程而愈發強大，最終失控而占據雙眼。當此力量滿盈之時，持有者成為契約者的「CODE」，並被賦予力量。這位新生的永生者在實體上獲取GEASS標記，並產生免疫，同時獲得轉授契約的權利，並被允許死亡（依此無限循環）。這一進程不要求雙方同意，例如C.C將CODE收納的同時，V.V在違背對方意願的情況下將其去除。
Every Geass power has its own unique set of both abilities and limitations (for example, Lelouch's power can only be used once on a given person), allowing for their defeat or victory by someone who is aware of its characteristics. Further understanding of the power of Geass even leads to the development of a device that can undo its effects. All Geass abilities that have thus far appeared within canon of the television series have been related to the mind, influencing things such as emotion, perception, and memory.
Ⅳ 求有關動漫的英語文章。
動畫設計中對2D方面的色彩研究
內容摘要：近些年來,我國的動畫片色彩設計有了長足的進步,表現在創作者能夠吸收和借鑒各種創作元素，比如電影中的色彩元素，國畫中的色彩元素，民間皮影、剪紙中的色彩元素等，而且我國的動畫創作者還能大膽學習國外先進的色彩設計經驗，移植國外成熟的創作模本，來為我國的動畫創作服務。但是，我國動畫片色彩設計走向成熟與輝煌的路還很遙遠,我們必須實實在在地去應對、解決一系列問題,調整與完善現有條件的內部結構,充分利用已有資源,並且在學習與反思中發現新的運作思維模式,從而開拓出一片更為廣闊、自由的市場空間。
關鍵詞：動畫片 色彩 人物造型 藝術
Abstract
In recent years, the cartoon color design of China has made great progress, in which the creators could absorb and draw from all kinds of other creating elements, such as the color elements of the films, the Chinese paintings, the shadow plays and paper cut. And our creators also study from advancing foreign experience of the color design and transplant the mature creating models to serve our own cartoon creating. But as we all know ,there is still much things to do for us to make the cartoon color design mature and glorious. We must deal with it carefully, solve all kinds of problems ,adjust and perfect the inner structure under present conditions. We shall make full use of what we possess and find new thinking methods by learning and self-examination. By these means can we open up broader and freer market space.
Key words: cartoon， color， character shape， art
Ⅳ 英語閱讀理解題（卡通文章），求高人指點！
8.B
9.A
我是這么理解的，第八題A選項，幫助另一個男同學，這確實是一個幫助的過程，但是不是重點，所以排除。C選項是trick another boy 欺騙另外一個男孩子，很明顯不是這樣的，你看第9道題，題干中說的是think it is a trick question.也就是說Ginger是真的認為這是一道陷阱題，沒有要欺騙同學的意思。所以C選項排除。D選項，laugh about fool answers 那當然這個回答很愚蠢，但是重點也不是我們要嘲笑這個答案38多好笑，而是Ginger他的行為，整個和後座一起作弊的故事很好玩，體現了這孩子很可愛很好笑。所以選擇B
第九題，那我們已經排除了是Ginger知道答案，故意不告訴後面的男生。然後看A Ginger is wrong,沒錯，而且 他還沒懂這道題，因為問的是首都，他理解成陷阱題，所以我認為他不僅答案錯了，他還沒懂這道題。然後看B，他猜了一個答案，並且想要炫耀。錯在這個答案並不是猜的，是Ginger經過自己嚴密的推理認定這是陷阱題之後很自信的給出的答案。他確實在炫耀，但是這個答案不是他猜的，他是有理由的。所以B和D都排除了，然後看C，不理解問題，這也錯了，因為他不但理解了，他還理解成陷阱題了。
以上是我自己的想法。對於這種題目考試的時候怎麼辦，我相信考試這種題目是不多的，所以認真看過漫畫之後呢，要一個一個選項的去推理，就用最簡單的思想，不要去深想不要猜測，感覺有問題的選項馬上劃掉，排除法選出正確答案。如果時間不夠，其實最好跳過這一大題，因為這很耗時間准確率也會比較低，所以先把別的有把握的分數拿到手之後，安安心心回來做題。來不及了就隨便寫兩個一樣的答案，選擇題還是有可能猜對的。
~~~~~~~~~~~~~~~~~~~~~~~歡迎追問！望採納！
Ⅵ 求有關動漫的英語文章！
我最喜歡的卡通(My favourite cartoon)【內容簡單，就是給演講寫的】
Hi everyone,today I will talk about my favourite cartoon .His name is Doraemon ．He was born on September the third ,2112.But he got the modern world by magic machine .Now he is living in a boy's home and making friends with the boy called Daxiong .The boy always meets problems .But Doraemon will help him in time .With the help of Doraemon.The boy can come over the difficult things well .But sometimes , Doraemon makes the things worse . Doraemon loves Dousha Cake very much and he will hide away when he sees the mouse ,so he hates the mouse very much .When he won't eat his favourite food , he will became very angry .
I like Doraemon very much .Because he is very lovely and he always makes me happy .
Ⅶ 英語50詞小短文關於動漫的
I like watching Pleasant Goat and Big Big Wolf.It is an interesting cartoon.It tells us a story about goats and wolfs on the grassland.Big Big Wolf wants to eat goats,but Pleasant is so smart and he can run fast,so Big Big Wolf never wins him.Also,Pleasant has many friends,they always help each other.In the end,the goats live happily together.
Ⅷ 有關動漫的英語小短文
My favourite cartoon
My favourite cartoon is 《Crayon Shin-chan》（蠟筆小新）。《Crayon Shin-chan》is a very interesting and funny cartoon。 But 《Crayon Shin-chan》』s writer died
a few days ago。When I heard this new ，I was very sad，because I like 《Crayon Shin-chan》very much。I cannot accept the truth．I was so sad that l don』t want to eat．I cried in the evening．But the wind and rain rainbow，I beliveI will still support the Crayon Shinchan．
Ⅸ 誰能用英語寫一篇關於動漫的文章
One of the most obvious anime "trends" that was established in this time period was the appearance of "mecha" in anime. Mecha, short for "mechanical", is the term used to describe the giant robots and machines that are typical of some anime shown today. Mecha anime has become somewhat of a sub-genre of anime itself and is one of its most common vanguards, and its roots date back to the 1970's.
One of the earliest "mecha" types of anime was "Mazinger Z", a creation of artist Go Nagai, who would go on to influence another trend in anime in later years. The story revolved around an evil mad scientist, Dr. Hell, who had found lost robotic technology and used it to build robots of destruction. To counter this, a rival scientist created Mazinger Z, a robot with a plethora of weapons and abilities. Unfortunately, the scientist was killed by the evil Dr. Hell, but not before the scientist's grandson was warned, enabling him to find and pilot the large Mazinger machine. Mazinger Z went on to spawn many episodes and feature films and was one of the most successful of mecha animes. It seemed that giant robot battles were things that drew in viewers in Japan, which explains the later success of live-action series such as Ultraman.
Another convention that began to be used in anime in the 70's was a tweaking of the conventional plot aspects that had become ingrained in anime at its inception a decade or so ago. Aside from the regular "good guy" vs. "bad guy" concept, subtle variations in storyline and character perception began to appear. The anime "Lupin Sansei" or "Lupin III" focused on a main "good guy" character with rather unscrupulous qualities (he was a master thief). The misadventures of Lupin were among some of the more prominent series ring this time. "Devilman" was another anime with an "anti-hero", in that it involved a main character who possessed a demon in order to defeat other demons. These series and more would guarantee more "unconventionality" in anime, and an expansion of its characterization formulae.
Mecha and unique characterization would come together, however, in a drama/action series that was to become one of the most acclaimed anime series of all time. "Mobile Suit Gundam", first appearing in 1979, involved a war between Earth and its first space colonies, using mechanical piloted robot "suits" for warfare. These "Gundam" mechas were among one of the most loved among viewers at the time and a healthy merchandising market of models served to bolster the series' popularity. In addition to the heart-stopping battles, the thematics of war were introced into the series. War was not without consequences, and the situations and thoughts of the characters in the series captivated audienes as much as the action did. With the success of the Gundam series, the anime movement was prepared to explode onto the Japanese (and international) scene - and it did.
80-90年代
As the 80's came and went on, Anime began to kick into high gear. By this time, the Japanese animation medium was a national mainstay and an international cult fan favorite (known as "Japanimation"). Though the few anime series that did make it onto international shores were either very vaguely known, such as Speed Racer, or horrendously cut for public consumption, such as Robotech (made from bits and pieces of three original related mecha series in Japan, with drastic changes in storyline), the medium continued its rise.
Continuing with Tezuka's fundamental trend in telling stories as well as following the drama that was seen in such series as Mobile Suit Gundam, acclaimed manga artist Rumiko Takahashi was (and still is) one of the most prominent figures ring this time period. Having first become known for her comedy work "Lum: Urusei Yatsura" ("Those Obnoxious Aliens"), which was extremely popular, Takahashi dabbled in the romantic and comedy fields, drawing and animating some of the best-known anime series of all time. "Ranma 1/2", which concentrated on a main character with the ability to change gender via hot and cold water, is still popular and is still being released today by Viz Video and ran for over 100 episodes. And today, Takahashi is adding a feather of horror to her already plentiful plume, with "Inu-Yasha" - a story containing romantic, horror, and comedy elements. The story centers around a girl who finds a well that goes back in time to ancient mythological Japan, where she teams up with a half-demon in order to save the world.
As Takahashi and others continued to develop anime's storytelling, Go Nagai, creator of Mazinger Z, and others in his vein worked to develop an aspect of anime that had until now had seen minimal exposure in some of Tezuka's manga works - that of anime for alts. Breaking from the concept that animation was supposed to be only for kids, Nagai created series such as "Cutey Honey", featuring a rather well-endowed female lead who could change appearance into any number of sective roles, and "Kekko Kamen", a hilarious satire on superhero animations that featured, of all things, a naked superheroine. This and other "alt anime" have been said by some to be a blessing and a curse - while it does add another dimension to the medium, it also fuels one of anime's greatest stereotypes of being nothing more than "animated pornography". Regardless, Nagai's work helped to expose the anime medium to even more types of fans.
The number of well-known anime series had doubled, if not tripled, from the early 70's, as companies like Shogakukan/Kitty Films and Pioneer joined the already-established Toei Animation and Tezuka Proctions. But the final establishment of anime's national and international presence was yet to come. Two milestones in the history of anime were created ring this already booming time period. The first of these was "Akira" released in 1988 to worldwide acclaim. Set in apocalyptic Tokyo, the film featured a motorcycle gang that faces internal strife after their discovery of a child with psychic abilities. Ultimately this struggle has more to it than meets the eye as the military, government scientists, and resistance movements become involved. With its incredible, somewhat gory animation, action, and gripping storyline, Akira became one of the best-known anime feature films not only in Japan, but all over the world, and is one that some anime fans will say got them into the genre in the first place.
1995 brought with it the second milestone in anime - Masamune Shirow's "Ghost in the Shell", another feature film set in a cyberpunk-like era. In this age, humans are enhanced with cybernetic parts and have mastered the ability to travel through an internet-like sea of information, another realm that exists beyond the human one. Thrown into this is agent Motoko Kusanagi, ordered to stop a mysterious being that is able to travel the virtual world without a body, hacking into and destroying anything and anyone who tries to stop it. However, her connection with the mysterious entity known only as "Puppet Master" may change her forever. Released worldwide, Ghost in the Shell received as much, if not more, acclaim than its predesscessor Akira and helped to solidify Japanese anime as the ultimate alternative medium to conventional animation. By this time, a healthy fan base had grown even on international shores where Disney and the Looney Tunes were the norm. Anime had finally returned to stand with its roots.
最近的:
Today, anime is alive and well, but also continuing to evolve and grow. In Japan, new series are shown on TV networks every day, with seemingly no end in sight, and well-established studios such as Toei still stand among newer animation studios to create new and exciting anime series. Though in 2001, an economical recession seems to have hit Japan, the anime medium is chugging along nicely, at least from an international point of view. The continued release of anime in Japan ensures its life even in the face of economic hardship.
Internationally, and especially in the West, the anime movement has grown to new heights at the start of the 21st century. Companies such as Bandai Entertainment, Viz Video, ADV Films, and Pioneer have become larger and more profitable than in previous years, able to release many popular series from Japan in both VHS and the new DVD format. An increasing fan base and plenty of future appealing releases has legitimized the existence of these tireless indivials who work to bring Japanese animation to other shores, in original Japanese and bbed formats. The internet boom has also served to fuel awareness of anime, with sites like our own AnimeInfo.org and others helping to inform and cultivate interest in the medium, and others like Rightstuf.com and Animenation.com serving as vendors for anime-related merchandise. Anime conventions in the USA, such as the West Coast's Anime Expo, Midwest's Anime Central, and East Coast's Otakon have also been a factor in brining together anime fans of all ages in appreciation of the near 50 year old medium.
In the general public eye, anime is still making progress as a properly recognized medium. Though stereotypes and misrepresentations (as well as fair and objective stories) are still present in the mainstream media, the recognition of anime has still made progress from its roots in the 70's and even from the boom of the 80's and 90's. Akira, the 1988 cult hit, is being remastered for release worldwide and should be out very soon. Recent animated feature films "Perfect Blue" and "Princess Mononoke" have piqued the curiosity of many people not very familiar with anime (and in the case of "Princess Mononoke", mainstream actors were even cast as English b voices). And Cartoon Network's Toonami, while criticized by some anime fans for broadcasting heavily edited and watered down anime series, has nevertheless served as a huge influence in the past year or so to bring in new anime fans, with its broadcasts of the "Tenchi Muyo" series, "Dragonball Z", "Gundam Wing", and "The Big O", among others.
With these and many more factors in place, the outlook looks very good for anime as it works to stay a fresh and exciting medium for many fans both nationally and internationally. The history of anime is a very progressive one, showing a medium that has changed and evolved so much over the years. The future, perhaps, may bring us to even more changes to benefit Japanese animation and its many fans.
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The legendary ' one piece ', D Roger say he died before leaving with wealth, fame, power of the world first. " ONE PIECE ", many people in order to compete for the " ONE PIECE ", to the sea, many pirates began to establish hegemony, and formed "the era of pirates ". Ten years later, the show D the road to fly in order to achieve and save him because of the four Queen ' Red ' shanks agreement and sea, in the distant on the road to find a like-minded partner, went into the "great waterway ", target: when the " one piece ".
傳說中『海賊王』哥爾··羅傑在死前說出他留下了具有財富、名聲、力量世界第一的寶藏「ONE PIECE」，許多人為了爭奪「ONE PIECE」，爭相出海，許多海賊開始樹立霸權，而形成了「大海賊時代」。十年後，蒙其·D·路飛為了要實現與因救他而斷臂的四皇『紅發』香克斯的約定而出海，在遙遠的路途上找尋著志同道合的夥伴，一起進入「偉大航道」，目標：當上「海賊王」。