重視英語寫作

㈠ 英語作文:重視學習而忽視其他能力

First, the analysis of the status quo ???? teaching high school English writing ability and writing English teaching high school English writing status quo has a direct relationship. Teacher training to students in the form of a single, comprehensive knowledge of the language is not effectively use; writing training focuses on the mechanical repetition of training, the lack of information search, information processing skills flexibly and output information. Therefore, the current high school English teaching there are still some problems. ???? Two high school teaching English composition existing problems ???? 1. Only serious results, ignoring the cultivation of students 'interest in writing ???? writing some extent alienated students' writing ability exam teachers in teaching writing to students in the form of training also single, formalized. Writing for students graally become a lack of impulse, but there is no need to have to complete the chore. The main reason should be attributed to the traditional mode of teaching English writing mostly temporary and not a permanent cure, there is a serious psychological problems to explore the vacant. "Motivation is a natural tendency to be inspired not only be established." Writing should be anchored in its psychological nature, in other words, the teaching of writing should focus first on why students write essay. Focus on how to stimulate the motivation for writing this is particularly important in the teaching of English writing. ???? 2. Only heavy structure, content ???? teachers despise the teaching of writing is often used for the structural framework of a stylistic intensive repeatedly, at least in writing so that students have a framework to follow . Therefore, teachers ask students to repeatedly recite a lot of essay; remember some discourse structure mechanically different style, and in the correct use of syntax and vocabulary not add accumulation and use of the content of the writing is very little attention, Therefore, write articles stereotyped, only empty frame without the fullness of body and soul. 3. ???? awareness of intercultural communication did not cause enough attention ???? language is the carrier of culture, a language in a way necessarily reflect an ethnic and cultural traditions and ways of thinking, listening professor at the University of Our tasting both college entrance essay presents a common problem that most students still remain in the Chinese language style of English at this level, do not comply with the language of expression in English-speaking countries. ????
一、高中英語寫作教學的現狀分析??? 高中生英語寫作能力與英語寫作教學現狀有直接關系。老師對學生的訓練採用單一的形式,語言知識得不到有效綜合運用;寫作訓練側重於機械性重復訓練,缺少搜索信息、處理信息和輸出信息的靈活運用技能訓練。因此,目前高中英語教學中仍然存在著一定的問題。??? 二、目前高中英語作文教學中存在的問題??? 1.只重結果,忽視了對學生寫作興趣的培養??? 寫作在一定程度上異化為培養學生的作文應試能力,教師在教學中對學生寫作的訓練形式也就單一化、形式化了。寫作對學生來說逐漸成了一種缺乏沖動,沒有需要而又必須得完成的苦差。其主要原因應歸結於傳統英語寫作教學模式大都治標而不治本,嚴重存在著心理探求缺位的問題。「動機是天然傾向,只能被激發而不能被建立。」寫作教學應以其心理本質為基點,換而言之,寫作教學應首先關注學生為什麼要寫作文。關注如何激發寫作動機這一點在英語寫作教學中尤為重要。??? 2.只重結構,輕視了內容??? 教師在寫作教學中往往習慣於對某種文體的結構框架進行再三的強化,最起碼使學生在寫作時有個結構框架可以遵循。因此,教師要求學生反復大量地背誦範文;機械地記憶一些不同文體的篇章結構,而在句法及詞彙的正確運用上卻不加積累和運用,對寫作內容的關注度更是少之又少,因此,寫出的文章千篇一律,只有空洞的框架而沒有豐滿的靈與肉。??? 3.跨文化交際的意識沒有引起足夠的重視??? 語言是文化的載體,一種語言在某種程度上必然反映出一個民族的文化傳統和思維體系,聽大學教授對我們高考作文的品評中都提出了一個共性的問題,就是大多數學生的語言表達還停留在漢語式的英語這一層面,根本不符合英語國家的語言表達方式。???

㈡ 如何『重視英語口語』的作文

language is mainly used to communicate. if we have learned a language for 10 years,yet can't speak it fluently, what's the point of learning?

㈢ 如何提高英語寫作能力，重視基礎落實

首先,英語的學習,聽說讀抄寫是相互聯系的,沒有聽說讀的基礎,不可能上來就能寫好文章的。聽是說的一個基礎,讀是聽的來源,只有在大量的閱讀的基礎上,培養出英語的語感,積累詞彙與好的句子結構,更多的是廣泛的攝取才有可能累你自己的觀點。
其次,在有了一定的基礎上,一定要精度,記錄好的短語句型,練習套用,比如平時可以在說話的時候,想到了就去用,加深記憶與造句能力。就像我們小時候學漢語一樣,組詞造句這些都是基礎。等有了一定量的積累,可以嘗試段落的寫作。

㈣ 對書寫重視的英文作文150字

重視學生的英語作文書寫
批閱當前學生英語作文時，我發現絕大數學生的書寫歪歪扭扭，塗塗改改，瘦弱無力，很難做到整潔，優雅。大多數女同學的書寫還能做到整潔，清楚，可是很多男生的書寫特別瘦弱無力，很不清楚。據說小學中學課業重沒時間練習，可這樣的書寫對高中英語作文的成績有直接的影響。特別是月考，期末考時，很多學生跟我反映，我的作文怎麼就這么點分，很多英語基礎好的學生作文往往也及不了格，我一看考生的字母，單詞寫得很亂，卷面塗抹，閱卷老師很難辨認，批閱起來很麻煩，這樣就會直接影響考生的分數。秀麗的字體、整潔的卷面會使人賞心悅目，產生良好的心理感受，即使有些錯誤，也可能不多扣分。
英語的作文書寫很重要，英文書寫應符合規范，英文字母要寫清楚、寫整齊、寫美觀，字母的大小和字母間距要勻稱。因此，學生本人，教師，及家長應重視學生的英語作文書寫，平時要多多的訓練。
首先，學生要端正態度，下定決心，扎扎實實練好書寫。建議他們買本英語字貼，從字母練起，擬定計劃，每天練兩到三頁。制定一本抄寫本，抄寫英語範文，課文中的經典句型，或名言警句。在應試時，要嚴格按照要寫材料的要求，在心裡或在草稿紙上"排好版"，擬好草稿，譽寫時應寫好每一個單詞，打好每一個標點，切不可寫得詞不成形，句不成行，隨意改動，不能把幾年的辛苦讓馬虎的書寫輕易地葬送掉
教師的一言一行在潛移默化中影響著學生。教師的書寫對學生而言是一塊樣板，因此，我在書寫時處處規范自己。教師的示範性不僅要體現在新授課的板書中，也應體現在平時一切展現給學生的材料中。
當然，學生英語書寫的提高，並不是一蹙而蹴，而必修持之以恆，它也需要家長的長期的鼓勵與監督，幫助孩子養成練習書寫的好習慣。

㈤ 英語作文 為什麼我們既重視理論 又重視實踐

A theory that has not been tested in practice , no matter how beautiful it is , will lose weight and will not be recognized ！Theory must not replace practice !
People who have no practice , talk about it , but just talk on paper . In the end , there will be no success !Whenever things happen , they will always study without hands , without practice , theywill eventually be abandoned by reality !

㈥ 以對書寫的重視為話題英語作文

書寫是包括表達和來手跡自書寫吧？
高中了，英語不重視，可能因為功課重，無法單獨重視的緣故。
書寫不重視可能有別的原因，每個學生環境都不一樣，對事物的輕重看法自然不一樣。
我個人認為最大原因是做教育工作的老師不夠料的原因。教育方式側重不同，教出來自然不一樣。
如果你是老師，你需要改進你的觀念。
如果你是學生，你需要的僅僅是多一份耕耘。

㈦ 英語寫作在英語學習中的重要性

別急 會把英語寫作能力提高的
談談如何提高英語寫作能力

關鍵詞：英語寫作能力 原則 方法
引言：英語寫作能力是英語聽、說、讀、寫四種基本能力之一，英語寫作能有效地促進語言知識的內化。Swain（1985）提出「可理解輸出」假設，認為包括寫在內的語言產生性運用有助於學習者檢驗目的語句法結構和詞語的使用，促進語言運用的自動化，有效地達到了語言習得的目的。通過寫作，英語知識不斷得到鞏固並內在化，有利於英語技能的全面發展。但是，英語寫作又是廣大英語學習者最感頭痛的問題之一，且容易被教師忽視，筆者以為如何提高英語寫作能力值得我們認真研究。本文就此談談初淺的看法。
一、提高英語寫作能力的原則
（一）漸進性原則。要堅持「句—段—篇」的訓練程序，由易到難，循序漸進。在英語寫作的初始階段，要始終注意培養學生良好的寫作習慣，狠抓基本功訓練。在學生掌握了基本句型並能寫出簡單句子後，再要求學生根據一些體例寫出小段的文章。在段落寫作中要引導學生分析段落的結構、段落的中心句、句與句之間的邏輯關系、寫作手法等，這樣有利於下一步一篇文章的寫作。在文章寫作中要教會學生如何構思文章、如何運用正確的寫作技巧等。
（二）多樣性原則。要堅持訓練形式的多樣化及寫作文體的多樣性。從形式上而言，可以用回答提問的口頭作文，也可以用續寫故事；可以改寫課文，也可以仿寫課文；可以寫提綱訓練謀篇布局，也可以寫拓展段訓練發散思維……。從文體上而言，可以寫說明文、議論文、記敘文，也可以寫書信、便條、通知等實用文體。
(三)結合性原則。要堅持聽說讀訓練和寫訓練相結合。根據語言習得理論，學習者在學習時常先通過聽和讀吸取語言知識，從而了解別人的思想，再通過說和寫來表達自己的思想，讓別人了解自己。大量的聽說訓練能促進讀寫能力的提高。因此，寫與聽說讀緊密結合，進行多元化的能力訓練，可使學生的各項能力互相影響、互相滲透、互相促進。
（四）控制性原則。要堅持寫作前的指導，控制學生的漢語語言思維，發展英語語言思維。語言學習在很大程度上主要是模仿，而非隨心所欲地自由表達。教師要加強寫作前的指導，可給出範文讓學生模仿，以熟悉其語篇結構。同時要控制其漢語語言思維，盡可能讓學生習慣英語語言思維，以便於學生學習和掌握地道、正確的英語。
（五）持久性原則。要堅持長期、正確的寫作訓練。英語寫作能力的提高並非一朝一夕之事，而是一個長期的、艱巨的、漸進的過程。這就要求教師、學生都要有充分的思想准備，要有堅韌不拔的意志和必勝的信心。
二、提高英語寫作能力的方法。
（一）通過積累詞彙量，提高英語寫作能力。猶如土木磚石是建築的材料一樣，詞彙是說話寫作的必需材料，也是制約寫作能力提高的瓶頸。可以想像，如果要寫一個句子，10個單詞有8個單詞拼寫錯誤或拼寫不出，有2
個單詞用法不當，又怎麼能清楚地表達自己的思想呢？因此，在平時的教學中要強調學生記憶單詞，記住單詞的拼讀、用法、意思等。記憶單詞的方法有很多，各人有各人的記憶方法和習慣，可因人而異。教師可通過要求學生朗讀單詞、聽寫單詞、默寫單詞、遣詞造句、詞彙競賽等多種方法促進學生記單詞。記憶單詞是一個長期的反復的過程，要長期地堅持下去，才能不斷積累大量的詞彙，為英語寫作打下堅實的基礎。
（二）通過擴大閱讀量，提高英語寫作能力。古人雲「熟讀唐詩三百首，不會作詩也會吟」，這是漢語的一種學習方法，同樣可借鑒於英語寫作。多閱讀是學生增加接觸英語語言材料、接受信息、活躍思維、增長智力的一種途徑，同時也是培養學生英語思維能力、提高理解力、增強語感、鞏固和擴大詞彙量的一種好方法，有利於促進英語寫作能力的提高。在閱讀訓練中，教師要注意以下問題：一是指導閱讀方法，分析文章結構、中心思想、段落中心句、寫作方法等，幫助學生掌握各類文章的結構及寫作方法。二要精讀與泛讀相結合，通過推敲優秀的文章來學會寫作方法和選詞用詞；通過大量的泛讀來吸取信息量，擴大詞彙量。三要擴大閱讀量。提供閱讀的材料涉及面要廣，才能不斷擴大學生的知識面，使學生適應各種題材的寫作。
（三）通過提高聽說能力，提高英語寫作能力。英語聽說讀寫四種能力是相互影響、相互促進的，提高聽說能力必定會促進寫作能力的提高。要提高聽說能力關鍵在於創設一個良好的英語環境。教師要盡可能地用英語授課，多開展專門的聽說訓練，同時開展豐富多彩的課外英語活動，讓學生沉浸在英語海洋中去領略、去體會、去使用英語，久而久之，學生自然能使用正確的、地道的英語進行交談與寫作。
（四）通過重視寫作過程，提高英語寫作能力。長期以來，英語寫作成果教學法（THE PRODUCT
APPROACH）在我國居於主導地位，教師根據寫作的終成品來判斷寫作的成敗，重視寫作的技術性細節（如格式、拼寫、語法等），忽視寫作過程的指導。根據D.Rumechart和J.McClelland提出的連通論（Connectionism)理論，寫作包括寫前階段、具體寫作、文章修改三個基本過程，這三個過程並非是線性排列，而是循環往復，穿插進行的。教師只有重視加強對寫作三個過程的指導，才能更好地提高英語寫作能力。在寫作前階段，教師重在指導學生如何挖掘題材，訓練發散性思維，以及如何選擇材料、謀篇布局等。在具體寫作中，教師重在指導學生如何緊扣主題、運用正確的寫作方法等。在文章修改中，教師重在指導學生如何修改語法及用詞的錯誤。
（五）通過多寫英語摘要，提高英語寫作能力。英語摘要是把一篇文章的要點摘錄出來，用自己的語言使之獨立成一篇短文，這不是簡單的摘錄，而是忠於原文意思的再創作。寫英語摘要有利於學生了解原文的文化背景、理解原文的中心意思、弄清原文的篇章結構，從而提高學生的邏輯思維能力和謀篇布局能力。
（六）通過發展英語語言思維能力，提高英語寫作能力。英語寫作是運用已掌握的內在化語言知識和表達方法，通過思維進行外在化輸出的創作，因此英語語言思維能力在英語寫作中作用非凡。對於我國學生而言，在英語寫作中易受漢語語言思維的影響，難以直接用英語語言進行思維，不利於英語寫作能力的提高，因此發展其英語語言思維能力尤為重要。教師要注意對學生的英語語言思維進行多方位、多角度的訓練：要採取各種方法訓練學生英語語言思維的廣闊性、深刻性、發散性和創造性；要教會學生用英語思考問題、回答問題；要從訓練形象思維開始，逐步過渡到抽象思維訓練；在課文講解中要盡可能不用漢語翻譯而用英語解釋，消除漢語思維的影響；要努力創設良好的英語環境，在英語交際中發展英語思維能力。

寫好英語段落的三個標准

首先，一個段落必須有一個中心即主題思想，該中心由主題句特別是其中的題旨來表達。整個段落必須緊扣這個主題（stick or hold to the topic），這就是段落的統一性（unity）。其次，一個段落必須有若干推展句，使主題思想得到充分展開，從而給讀者一個完整的感覺，這就是完整性（completeness or adequateness）。再者，一個段落不是雜亂無章的，而是有機的組合，句子的排列順序必須合乎邏輯，從一個句子到另一個句子的過渡必須流暢（smooth），這就是連貫性（coherence）。下面我們就對這三個標准分別加以說明。
1、統一性
一個段落內的各個句子必須從屬於一個中心，任何游離於中心思想之外的句子都是不可取的。請看下例：
Joe and I decided to take the long trip we'd always wanted across the country. We were like young kids buying our camper and stocking it with all the necessities of life. Bella bakes the best rhubarb pie. We started out in early spring from Minneapolis and headed west across the northern part of the country. We both enjoyed those people we met at the trailer park. Joe received a watch at his retirement dinner. To our surprise， we found that we liked the warm southern regions very much， and so we decided to stay here in New Mexico.
本段的主題句是段首句，controlling idea（中心思想）是take the long trip across the country.文中出現兩個irrelevant sentences，一個是Bella bakes the best rhubarb pie，這一段是講的是Joe and I ，中間出現一個Bella是不合適的。還有，Joe received a watch at his retirement dinner這一句更是與主題句不相關。考生在四級統考的作文卷上常常因為造出irrelevant sentences（不相關語句）而丟分，值得引起注意。再看一個例子：
My name is Roseanna， and I like to keep physically fit. I used to weigh two hundred pounds， but I joined the YMCA for an exercise class and diet program. In one year I lost eighty pounds. I feel much better and never want to have that much weight on my five-feet frame again. I bought two new suitcases last week. Everyday I practice jogging three miles， swimming fifteen laps， lifting twenty-pound weights and playing tennis for one hour. My mother was a premature baby.
本段的controlling idea 是like to deep physically fit，但段中有兩個irrelevant sentences，一個是I bought two new suitcases last week，另一個是My mother was a premature baby.
從上面兩個例子可以看出，native speakers同樣會造出來irrelevant sentences.卷面上如果這種句子多了，造成偏題或離題，那問題就更嚴重了。
2、完整性
正象我們前面說得那樣，一個段落的主題思想靠推展句來實現，如果只有主題句而沒有推展句來進一步交待和充實，就不能構成一個完整的段落。同樣，雖然有推展句，但主題思想沒有得到相對圓滿的交待，給讀者一種意猶未盡的感覺。這樣的段落也不能完成其交際功能。例如：
Physical work can be a useful form of therapy for a mind in turmoil. Work concentrates your thoughts on a concrete task. Besides， it is more useful to work —— you proce something rather than more anxiety or depression.
本段的主題句是段首句。本段的兩個推展句均不能回答主題句中提出的問題。什麼是「a mind in turmoil」（心境不平靜）Physical work又如何能改變這種情況？為什麼它能起therapy的作用？讀者得不到明確的答案。由於四級統考的作文部分只要求寫一篇100～120個詞的三段式短文，每一段只有大約40個詞左右，因此，要達到完整就必須盡可能地簡明。例如：
It is not always true that a good picture is worth a thousand words. Often writing is much clearer than a picture. It is sometimes difficult to figure out what a picture means， but a careful writer can almost always explain it.
段首句所表達的主題思想是一種看法，必須有具體事例加以驗證。上述兩個推展句只是在文字上對主題作些解釋，整個段落內容空洞，簡而不明。如果用一兩個具體的例子的話，就可以把主題解釋清楚了。比如下段：
It is not always true that a picture is worth a thousand words. Sometimes， pictures are pretty useless things. If you can't swim and fall in the river and start gulping water， will you be better off to hold up a picture of yourself drowning， or start screaming 「Help」？
3、連貫性（coherence）
連貫性包括意連和形連兩個方面，前者指的是內在的邏輯性，後者指的是使用轉換詞語。當然這兩者常常是不可分割的。只有形連而沒有意連，句子之間就沒有內在的有機的聯系；反之，只有意連而沒有形連，有時行文就不夠流暢。
1）、意連
段落中句子的排列應遵循一定的次序，不能想到什麼就寫什麼。如果在下筆之前沒有構思，邊寫邊想，寫寫停停，那就寫不出一氣呵成的好文章來。下面介紹幾種常見的排列方式。
A.按時間先後排列（chronological arrangement）
We had a number of close calls that day. When we rose， it was obviously late and we had to hurry so as not to miss breakfast； we knew the dining room staff was strict about closing at nine o'clock. Then， when we had been driving in the desert for nearly two hours —— it must have been close to noon —— the heat nearly hid us in； the radiator boiled over and we had to use most of our drinking water to cool it down. By the time we reached the mountain， it was our o'clock and we were exhausted. Here， judgement ran out of us and we started the tough climb to the summit， not realizing that darkness came suddenly in the desert. Sure enough， by six we were struggling and Andrew very nearly went down a steep cliff， dragging Mohammed and me along with him. By nine， when the wind howled across the flat ledge of the summit， we knew as we shivered together for warmth that it had not been our lucky day.
本段從「rose」（起床）寫起，然後是吃早餐（「not to miss breakfast」， 「closing at nine o'clock」），然後是「close to noon」，一直寫到這一天結束（「By nine——」）。
B. 按位置遠近排列（spatial arrangement）。例如：
From a distance， it looked like a skinny tube， but as we got closer， we could see it flesh out before our eyes. It was tubular， all right， but fatter than we could see from far away. Furthermore， we were also astonished to notice that the building was really in two parts： a pagoda sitting on top of a tubular one-story structure. Standing ten feet away， we could marvel at how much of the pagoda was made up of glass windows. Almost everything under the wonderful Chinese roof was made of glass， unlike the tube that it was sitting on， which only had four. Inside， the tube was gloomy， because of the lack of light. Then a steep， narrow staircase took us up inside the pagoda and the light changed dramatically. All those windows let in a flood of sunshine and we could see out for miles across the flat land.
本段的寫法是由遠及近，從遠處（「from a distance」）寫起，然後「get closer」，再到（「ten feet away」），最後是「inside the pagoda」……當然，按位置遠近來寫不等於都是由遠及近。根據需要，也可以由近及遠，由表及裡等等。
C. 按邏輯關系排列（logical arrangement）
a. 按重要性順序排列（arrangement in order of importance）
If you work as a soda jerker， you will， of course， not need much skill in expressing yourself to be effective. If you work on a machine， your ability to express yourself will be of little importance. But as soon as you move one step up from the bottom， your effectiveness depends on your ability to reach others through the spoken or the written word. And the further away your job is from manual work， the larger the organization of which you are an employee， the more important it will be that you know how to convey your thoughts in writing or speaking. In the very large business organization， whether it is the government， the large corporation， or the Army， this ability to express oneself is perhaps the most important of all the skills a man can possess.
這一段談的是表達能力，它的重要性與職業，身份有關，從「not need much skill」或「of little importance」到「more important」，最後是「most important」。
b.由一般到特殊排列（general-to-specific arrangement）
If a reader is lost， it is generally because the writer has not been careful enough to keep him on the path. This carelessness can take any number of forms. Perhaps a sentence is so excessively cluttered that the reader， hacking his way through the verbiage， simply doesn't know what it means. Perhaps a sentence has been so shoddily constructed that the reader could read it in any of several ways. Perhaps the writer has switched tenses， or has switched pronouns in mid-sentence， so the reader loses track of when the action took place or who is talking. Perhaps sentence B is not logical sequel to sentence A —— the writer， in whose head the connection is clear， has not bothered to provide the missing link. Perhaps the writer has used an important word incorrectly by not taking the trouble to look it up. He may think that 「sanguine」 and 「sanguinary」 mean the same thing， but the difference is a bloody big one. The reader can only infer what the writer is trying to imply.
這一段談的是a writer's carelessness，先給出一個general statement作為主題句，然後通過5個 」perhaps」加以例證。
c. 由特殊到一般排列（specific-to-general arrangement）
I do not understand why people confuse my Siamese cat， Prissy， with the one I had several years ago， Henry. The two cats are only alike in breed. Prissy， a quiet， feminine feline， loves me dearly but not possessively. She likes to keep her distance from people， exert her independence and is never so rude as to beg， lick， or sniff unceremoniously. Her usual posture is sitting upright， eyes closed， perfectly still. Prissy is a very proper cat. Henry， on the other hand， loved me dearly but possessively. He was my shadow from morning till night. He expected me to constantly entertain him. Henry never cared who saw him do anything， whether it was decorous or not， and he usually offended my friends in some way. The cat made himself quite comfortable， on the top of the television， across stranger's feet or laps， in beds， drawers， sacks， closets， or nooks. The difference between them is imperceptible to strangers.
本段的主題句是段首句，它僅提出一個問題：為什麼兩只貓會被搞混。然後對兩者進行比較，末句才下結論。
2）、形連
行文的邏輯性常常要靠適當的轉換詞語及其他手段來實現。請讀下面這一段文字並找出文中用以承上啟下的詞語：
Walter's goal in life was to become a successful surgeon. First， though， he had to get through high school， so he concentrated all his efforts on his studies —— in particular， biology， chemistry， and math. Because he worked constantly on these subjects， Walter became proficient in them； however， Walter forgot that he needed to master other subjects besides those he had chosen. As a result， ring his junior year of high school， Walter failed both English and Latin. Consequently， he had to repeat these subjects and he was almost unable to graate on schele. Finally， on June 6， Walter achieved the first step toward realizing his goal.
本文中起承上啟下的詞語有兩種，一種是轉換詞語（transitional words or phrases），另一種是起轉換作用的其他連接手段（linking devices）。前者依次有：first， though， so， in particular， and， because， however， besides， as a result， both…and， consequently， and， finally.後者依次是：he， he， his， his， he， these， them， he， those， his， he， these， his. 本段中共有詞彙105個，所使用的轉換詞語及其他連接用語共26個詞，約占該段總詞彙量的四分之一。由此可見，掌握好transitions不僅對行文的流（smoothness）有益，而且對於學生在半個小時內寫足四級短文所要求的120個詞也是不無好處的。
一個段落里如果沒有transitions也就很難有coherence了。我們看下面一個例子：Speaking and writing are different in many ways. Speech depends on sounds. Writing uses written symbols. Speech developed about 500 000 years ago. Written language is a recent development. It was invented only about six thousand years ago. Speech is usually informal. The word choice of writing is often relatively formal. Pronunciation and accent often tell where the speaker is from. Pronunciation and accent are ignored in writing. A standard diction and spelling system prevails in the written language of most countries. Speech relies on gesture， loudness， and rise and fall of the voice. Writing lacks gesture， loudness and the rise and fall of the voice. Careful speakers and writers are aware of the differences.
本段中除了第6句開頭出現一個起過渡作用的」it」之外，沒有使用其他的過渡詞語。這樣，文中出現許多重復的詞語，全段讀起來也顯得生硬而不自然。如果加上必要的過渡詞語來修飾的話，這一段就成了下面一個流暢連貫的段落：
Speaking and writing are different in many ways. Speech depends on sounds； writing， on the other hand， uses written symbols. Speech was developed about 500 000 years ago， but written language is a recent development， invented only about six thousand years ago. Speech is usually informal， while the word choice of writing， by contrast， is often relatively formal. Although pronunciation and accent often tell where the speaker is from， they are ignored in wiring because a standard diction and spelling system prevails in most countries. Speech relies on gesture， loudness， and the rise and fall of the voice， but writing lacks these features. Careful speakers and writers are aware of the differences.
4、有損連貫性的幾種情況：
考生在寫作中經常出現下面幾種錯誤：
1、不必要的改變時態，比如：
In the movie， Robert Redford was a spy. He goes to his office where he found everybody dead. Other spies wanted to kill him， so he takes refuge with Julie Christie. At her house， he had waited for the heat to die down， but they come after him anyway.
2、不必要的改變單復數，比如：
Everybody looks for satisfaction in his life. They want to be happy. But if he seeks only pleasure in the short run， the person will soon run out of pleasure and life will catch up to him. They need to pursue the deeper pleasure of satisfaction in work and in relationships.
3、不必要的改變人稱，比如：
Now more than ever， parents need to be in touch with their children's activities because modern life has the tendency to cause cleavages in the family. You need to arrange family like it so that family members will do things together and know one another. You need to give up isolated pleasures of your own and realize that parents have a set of obligations to sponsor togetherness and therefore sponsor knowledge.
因此寫作中，一定要注意時態，人稱以及數的變化是否正確，要注意保持一致。

㈧ 年輕人越來越重視物質英語作文如何擬題目

Digital age, written record form has revolutionary transformation, the keyboard "knock on words such as fly" often instead of a painting of a Chinese writing. But along with the more time using the computer, mobile phone, "thought the phenomenon of the word" forget is also more and more see. In addition to "forget" to write words, some people have these "symptoms" : easy to write a wrong character, handwritten difficult to express his views, the worse the written word even fear handwritten. This is because the computer technology and network technology, especially the developed increasingly has been in the people who work in daily life, e to the nature of the work or the fast pace of life, graally ignore the constraints of writing skills exercise, many people so that the shape of the Chinese characters can only roughly, but can not write to write correctly specific radical and structure. Putting pen to write a wrong character, word frequency forget, is becoming a worrisome cultural phenomenon.中文翻譯：數字化時代，文字記錄方式發生革命性變革，鍵盤上「敲字如飛」常常代替了一筆一畫的漢字書寫。而隨著使用電腦、手機時間越多，「提筆忘字」的現象也越來越多見。除了「提筆忘字」，有些人還有這些「症狀」：手寫容易寫錯字、用筆難以表達自己的觀點、字越寫越差甚至懼怕手寫。這是因為當今電腦技術和網路技術日益發達，特別是已經參加工作的人，在日常生活中由於受工作性質或生活快節奏的約束，逐漸忽視了書寫技能的鍛煉，許多人因此只能大致記住漢字的形狀，提筆卻無法正確寫出具體部首和結構。提筆忘字、頻寫錯別字，正成為一個令人憂心的文化現象。